A14=Edith Decker-Phillips
A14=Emily Watlington
Age Group_Uncategorized
Age Group_Uncategorized
automatic-update
B01=Henriette Huldisch
Category1=Non-Fiction
Category=ACXJ
Category=AFKB
Category=AFKV
COP=Germany
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Language_English
PA=Available
Price_€20 to €50
PS=Active
softlaunch
Product details
- ISBN 9783777430676
- Weight: 340g
- Dimensions: 147 x 235mm
- Publication Date: 05 Jul 2018
- Publisher: Hirmer Verlag
- Publication City/Country: DE
- Product Form: Paperback
- Language: English
Secure
checkout
Fast Shipping
Easy returns
Before Projection: Video Sculpture 1974 – 1995 shines a spotlight on a body of work in the history of video art that has been largely overlooked since its inception. Exploring the connections between our current moment and t he point at which video art was transformed dramatically with the entry of large - scale, cinematic installation into the gallery space . It presents a tightly focused survey of monitor - based sculpture made since the mid - 1970s.
The exhibition catalogue focuses on the period after very early experimentation in video and before video art’s full institutional arrival — coinciding with the wide availability of video projection equipment — in the gallery and museum alongside painting and sculpture. Proposing to e xamine what aesthetic claims these works might make in their own right, the exhibition aims to resituate monitor sculpture more fully into the narrative between early video and projection as well as assert its relevance for the development of sculpture ove r the course of the 1980s in general.
The exhibition catalogue focuses on the period after very early experimentation in video and before video art’s full institutional arrival — coinciding with the wide availability of video projection equipment — in the gallery and museum alongside painting and sculpture. Proposing to e xamine what aesthetic claims these works might make in their own right, the exhibition aims to resituate monitor sculpture more fully into the narrative between early video and projection as well as assert its relevance for the development of sculpture ove r the course of the 1980s in general.
