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A01=Allen J. Frantzen
Author_Allen J. Frantzen
Category=ATQ
Category=ATX
Category=DSBB
Category=DSBH
Category=JBSJ
Category=NHDJ
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Product details
- ISBN 9780226260921
- Weight: 510g
- Dimensions: 16 x 23mm
- Publication Date: 01 May 2000
- Publisher: The University of Chicago Press
- Publication City/Country: US
- Product Form: Paperback
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This study challenges the long-held belief that the early Middle Ages tolerated and even fostered same-sex relations and that intolerance of homosexuality developed only late in the medieval period. Th e text argues that early medieval Christians did not tolerate same-sex acts and, furthermore, that men and women during this time who preferred homosexual relations pursued their desires in spite of official sanctions. This was an age before people recognized the existence - or the possibility - of the "closet". This work focuses on Anglo-Saxon literature but also includes examinations of contemporary opera, dance and theatre. The text employs the figure of the shadow to illustrate the coexistence of homosexual and heterosexual relations in the Middle Ages. The figure is introduced through an analysis of a man's part sung by a woman in operas such as Gounod's "Faust". The reverse figure - men taking women's parts - is traced in two dances by Mark Morris, "The Hard Nut" and "Dido and Aeneas". Also analyzed is the white Anglo-Saxon Protestant in Tony Kushner's play, "Angels in America" and the poems, "Beowulf" and "The Wanderer".
