Before World Literature

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12th century
19th century
A01=Matthew L. Keegan
al-Hariri
allusions
Arabic culture
Author_Matthew L. Keegan
Category=DB
Category=DS
Category=DSBB
Category=DSBH
Category=NHDJ
classical postclassical
Commentaries
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_new_release
eq_nobargain
eq_non-fiction
Islam
Islamic discourses texts
literariness
literary aesthetics
Manuscripts
Maqamat
riddles
trickster stories
World Literature

Product details

  • ISBN 9781512828870
  • Dimensions: 152 x 229mm
  • Publication Date: 24 Mar 2026
  • Publisher: University of Pennsylvania Press
  • Publication City/Country: US
  • Product Form: Hardback
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An account of Arabic literary history through the lens of the reception of the Maqāmāt of al-Ḥarīrī, a twelfth-century collection of fifty trickster stories

Before World Literature offers an account of Arabic literary history through the lens of the reception of one of the most widely read Arabic texts of the postclassical period: the Maqāmāt of al-Ḥarīrī, a twelfth-century collection of fifty trickster stories written in an elaborate and highly allusive form of prose. Innumerable Muslim scholars taught the text to new generations of students and wrote extensive commentaries on it. In the nineteenth century, however, the Maqāmāt fell rapidly out of favor, its elaborate style and its commentary tradition suddenly seen as symptoms of cultural decay.

Matthew L. Keegan shows how the emergence of world literature as a literary critical paradigm led to a wholesale reformulation of literary tastes that sidelined elaborately referential texts like the Maqāmāt. Nineteenth-century European Orientalists and Arab reformist thinkers derided the Maqāmāt for being decadent and derivative, while assailing the entire postclassical Arabic intellectual tradition. The canon of Arabic poetry and prose was reshaped accordingly, favoring classical authors whose work was perceived to be more in line with modern, European literary aesthetics.

Keegan looks to the flourishing commentary culture of the postclassical period to uncover the theories of reading and interpretation that informed engagement with Islamic texts in their own time. Tracing the social, material, and intellectual practices embedded in the commentaries on the Maqāmāt, he explores how generations of Muslims read and interpreted al-Ḥarīrī's trickster stories, for edification and entertainment. Restoring the Maqāmāt to its place as the pinnacle of Arabic style and as an essential text of Islamic education for centuries, Before World Literature offers a model of how to read texts like the Maqāmāt on their own terms.

Matthew L. Keegan is the Moinian Assistant Professor of Asian and Middle Eastern Cultures at Barnard College of Columbia University.

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