Behind the Burnt Cork Mask

Regular price €32.50
A01=William J. Mahar
African American
American music
antebellum
antebellum popular culture
antebellum United States
Author_William J. Mahar
black
blackface
blackface comedians
blackface minstrelsy
Buckley's Serenaders
burlesque
burlesques
burlesques of opera
Category=AVLM
Category=JBCC
Category=NHK
choral
Christy Minstrels
entertainers
entertainment
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
Ethiopian sketch
farces
historiograpy of minstrelsy
history
history of minstrelsy
humor
La Sonnambula
Lucy Neal
Mary Blane
minstrel
minstrel artists
minstrel circuit
minstrel groups
minstrel performers
minstrels shows
music
Old Dan Tucker
opera
parody
political speeches
primary sources
repertoire
Sanford's Opera Troupe
singers
skits
stories
storytelling
theater
United States
Virginia Serenaders
vocal
Wood's Minstrels

Product details

  • ISBN 9780252066962
  • Weight: 626g
  • Dimensions: 152 x 229mm
  • Publication Date: 01 Dec 1998
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Paperback
Delivery/Collection within 10-20 working days

Our Delivery Time Frames Explained
2-4 Working Days: Available in-stock

10-20 Working Days: On Backorder

Will Deliver When Available: On Pre-Order or Reprinting

We ship your order once all items have arrived at our warehouse and are processed. Need those 2-4 day shipping items sooner? Just place a separate order for them!

The songs, dances, jokes, parodies, spoofs, and skits of blackface groups such as the Virginia Minstrels and Buckley's Serenaders became wildly popular in antebellum America. Drawing on an unprecedented archival study of playbills, newspapers, sketches, monologues, and music, William J. Mahar explores the racist practices of minstrel entertainers and considers their performances as troubled representations of ethnicity, class, gender, and culture in the nineteenth century. 

Mahar investigates the relationships between blackface comedy and other Western genres and traditions; between the music of minstrel shows and its European sources; and between "popular" and "elite" constructions of culture. Locating minstrel performances within their complex sites of production, Mahar reassesses the historiography of the field.

William J. Mahar (d. 2018) was a professor of music at Penn State Harrisburg.