Beijing Opera Costumes

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A01=Alexandra B Bonds
Author_Alexandra B Bonds
Bai Suzhen
Category=ATDF
Category=AVLF
Center Front Opening
Chinese theater studies
Collar Band
Costume Plot
cultural symbolism in dress
Dragon Robe
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eq_bestseller
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eq_isMigrated=2
eq_music
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Fabric Socks
Face Crown
historical Chinese opera attire research
Huang Hua
Jingju Company
Leg Flaps
Lu Song
Mei Lanfang
Monkey King
Olive Green
performance semiotics
Rank Badge
Satin Stitch
Seam Allowances
Side Seams
stage costume analysis
Sun Wukong
theatrical role typology
traditional embroidery techniques
Traditional Jingju
Underarm Seam
Water Sleeves
Young Men
Zhang Fei
Zhong Kui

Product details

  • ISBN 9781138069428
  • Weight: 1678g
  • Dimensions: 210 x 280mm
  • Publication Date: 23 Jan 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Beijing Opera Costumes: The Visual Communication of Character and Culture illuminates the links between theatrical attire and social customs and aesthetics of China, covering both the theory and practice of stage dress. Distinguishing attributes include an introduction to the performance style, the delineation of the costume conventions, an analysis of the costumes through their historical precedents and theatrical modifications, and the use of garment shape, color, and embroidery for symbolic effect. Practical information covers dressing the performers and a costume plot, the design and creation of the make-up and hairstyles, and pattern drafts of the major garments. Photographs from live performances, as well as details of embroidery, and close-up photographs of the headdresses thoroughly portray the stunning beauty of this incomparable performance style. Presenting the brilliant colors of the elaborately embroidered silk costumes together with the intricate makeup and glittering headdresses, this volume embodies the elegance of the Beijing opera.

Alexandra B. Bonds is Professor Emerita of Costume Design at the University of Oregon. Her passion for Beijing Opera costumes began when she received a Fulbright to teach at the National Institute for the Arts in Taiwan in 1990. As an award-winning designer of costumes, she became the first foreigner to study costumes at the Academy for Traditional Chinese Opera in Beijing, China. Her research in this area has been recognized for excellence in writing for the performing arts by the United States Institute for Theatre Technology

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