Being a Director

Regular price €43.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Di Trevis
actor rehearsal process
Author_Di Trevis
Bluebell Wood
Brecht's Caucasian Chalk Circle
Cashmere Sweaters
Category=ATDF
Contre Danse
Costume Designers
creative leadership in theatre
dramatic interpretation
Drawn Back
Duffel Coat
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Feather Boas
gill
Golden Rectangle
Half Curtain
High Production Standards
Iron Fist
Judicious Organization
Liane De Pougy
litz
Litz Pisk
London Theatres
Maynard Keynes
Nancy Mitford
Painter Vanessa Bell
performance studies
peter
Philip Sargant Florence
pisk
practical guide to directing plays
rehearsal
Rehearsal Room Floor
Richard III
riverside
room
royal
Royal Opera House Covent Garden
shakespeare
stagecraft methodology
studio
theatre directing techniques
War Time
Young Man

Product details

  • ISBN 9780415609241
  • Weight: 1160g
  • Dimensions: 138 x 216mm
  • Publication Date: 07 Sep 2011
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

Di Trevis is a world-renowned director, whose work with Britain’s National Theatre, Royal Shakespeare Company, and directing productions worldwide, has deeply informed her knowledge of the director’s craft.

In Being a Director, she draws on a wealth of first-hand experience to present an immersive, engaging and vital insight into the role of a director.

The book elegantly blends the personal and the pedagogical, illustrating how the parameters of Time, Space and Motion are essential when creating a successful production.

Throughout, the author explores and recycles her own formative life experiences in order to demonstrate that who you are is as integral to being a director as what you do.

Di Trevis has worked at the National Theatre, RSC, Almeida Theatre and the Royal Opera House. In 2001 she adapted, with Harold Pinter, Proust’s Remembrance of Things Past which transferred to the Olivier stage in 2002 and won an Olivier Award the same year. She has taught extensively in the UK, USA, France, Germany, Austria and Cuba. Between 2003 and 2007 she was Head of Directing at the Drama Centre in London.

More from this author