Being and Becoming Visible

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Activist Art
Artistic Agency
Artistic Expression
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Cross-disciplinary Outreach
Cultural Icons
Curatorship
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Feminist Visual Culture
Gender Studies
Museum Exhibitions
Performance and Media Studies
Visual Arts Education
Women's Representation

Product details

  • ISBN 9780801894947
  • Weight: 499g
  • Dimensions: 152 x 229mm
  • Publication Date: 27 Oct 2010
  • Publisher: Johns Hopkins University Press
  • Publication City/Country: US
  • Product Form: Hardback
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Spanning geographical, cultural, and methodological boundaries, the essays in Being and Becoming Visible examine female representation in a variety of performative and visual media. Olga M. Mesropova and Stacey Weber-Feve situate the disciplines of visual culture and performance studies within two conceptual frameworks-multicultural and feminist-through the overarching thematic trope of visibility. The contributors offer a mix of sociohistorical, ethnographic, ideological, postcolonial, and cultural approaches to the study of female representation in performance, visual, and consumer cultures. They examine curatorship, mythological representation of women, the interrelationship of mother and child, domestic gender roles, domestic abuse, and indigenous female representation. The volume includes case studies related to such diverse genres and media as theater, cinema, painting, television, performance activism, and photography from South Africa, Australia, New Zealand, Germany, the United Kingdom, and the United States. Instructors in feminist, cultural, and media studies who are looking for global perspectives will find that this fresh and provocative volume encourages students to see new connections among a variety of trends in contemporary scholarship.
Olga M. Mesropova is an associate professor of Russian at Iowa State University. Stacey Weber-Feve is an assistant professor of French at Iowa State University.