A01=Erik Wallrup
attunement
attunemental
Attunemental History
Attunemental Mode
Author_Erik Wallrup
Bruckner's Eighth Symphony
Bruckner’s Eighth Symphony
Category=AV
Category=AVA
Category=JBCC1
Category=QDTN
Chopin
Das Wohltemperierte Klavier
Die Kunst Der Fuge
emotional perception in sound
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
fundamental
Fundamental Attunement
German romanticism
Goldberg Variations
Gradual Tuning
Heidegger philosophy
Heidegger's Sein Und Zeit
Heidegger’s Sein Und Zeit
Hindustani Airs
Hindustani Music
historical musicology
history
Husserl's Transcendental Subjectivity
Husserl’s Transcendental Subjectivity
Indian Music
Jean Sibelius
Lieder Eines Fahrenden Gesellen
Lili Brik
mode
music aesthetics
musical attunement theory in practice
phenomenology of listening
quartet
Quasi Una Fantasia
Schumann's Fantasie
Schumann’s Fantasie
sein
Sein Und Zeit
Solomon Cutner
string
und
Webern's Bagatelle
Webern’s Bagatelle
Welt Als Wille Und Vorstellung
West Germany
Young Man
zeit
Product details
- ISBN 9780367879518
- Weight: 530g
- Dimensions: 156 x 234mm
- Publication Date: 12 Dec 2019
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
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Listening according to mood is likely to be what most people do when they listen to music. We want to take part in, or even be part of, the emerging world of the musical work. Using the sources of musical history and philosophy, Erik Wallrup explores this extremely vague and elusive phenomenon, which is held to be fundamental to musical hearing. Wallrup unfolds the untold musical history of the German word for ’mood’, Stimmung, which in the 19th century was abundant in the musical aesthetics of the German-Austrian sphere. Martin Heidegger’s much-discussed philosophy of Stimmung is introduced into the field of music, allowing Wallrup to realise fully the potential of the concept. Mood in music, or, to be more precise, musical attunement, should not be seen as a peculiar kind of emotionality, but that which constitutes fundamentally the relationship between listener and music. Exploring mood, or attunement, is indispensable for a thorough understanding of the act of listening to music.
Erik Wallrup is Postdoctoral Research Fellow at Stockholm University, Sweden. His fields of research are the philosophy of music and artistic research. Previously, he has published a book on Nietzsche’s philosophy of listening and two novels. He is also co-editor of the Swedish Journal of Music Research and editor at the Royal Swedish Academy of Music.
