Bela Bartok and Turn-of-the-Century Budapest

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A01=Judit Frigyesi
adaptation
aesthetic
alienation
art
art history
art theory
austrian art
Author_Judit Frigyesi
bartok
bluebeards castle
budapest
Category=AVA
Category=AVLA
Category=AVN
Category=JBCC
classical music
composers
ego
endre ady
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
folk art
folk narrative
folk style
folklore
history
hungarian history
hungary
identity
isolation
judith
literature
loneliness
longing
mass culture
mirror
modernism
music
music history
music opera
musicology
mystery play
mysticism
national music
nationalism
nonfiction
organicism
peasant music
poet
poetry

Product details

  • ISBN 9780520222540
  • Weight: 544g
  • Dimensions: 152 x 229mm
  • Publication Date: 29 Sep 2000
  • Publisher: University of California Press
  • Publication City/Country: US
  • Product Form: Paperback
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Bartok's music is greatly prized by concertgoers, yet we know little about the intellectual milieu that gave rise to his artistry. Bartok is often seen as a lonely genius emerging from a gray background of an 'underdeveloped country.' Now Judit Frigyesi offers a broader perspective on Bartok's art by grounding it in the social and cultural life of turn-of-the-century Hungary and the intense creativity of its modernist movement. Bartok spent most of his life in Budapest, an exceptional man living in a remarkable milieu. Frigyesi argues that Hungarian modernism in general and Bartok's aesthetic in particular should be understood in terms of a collective search for wholeness in life and art and for a definition of identity in a rapidly changing world. Is it still possible, Bartok's generation of artists asked, to create coherent art in a world that is no longer whole? Bartok and others were preoccupied with this question and developed their aesthetics in response to it. In a discussion of Bartok and of Endre Ady, the most influential Hungarian poet of the time, Frigyesi demonstrates how different branches of art and different personalities responded to the same set of problems, creating oeuvres that appear as reflections of one another. She also examines Bartok's Bluebeard's Castle, exploring philosophical and poetic ideas of Hungarian modernism and linking Bartok's stylistic innovations to these concepts.
Judit Frigyesi is Associate Professor at Bar-Ilan University.

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