Bending the Rules of Music Theory

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A01=Timothy Cutler
Author_Timothy Cutler
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Chopin
Chord Tone
Chromatic Passing Tone
Common Practice Tonality
common-practice era
composition
Dominant Harmony
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Escape Tones
Harmonic Syntax
Incomplete Neighbor
Minor Triad
music analysis
music theory
Neighbor Chord
Nonharmonic Tone
parallel fifths
Parallel Octaves
Passing Tone
Perfect Authentic Cadence
Piano Sonata
Plagal Progression
Predominant Chord
Seventh Chords
tonal harmony
tonal music
Tonic Harmony
Tonic Pedal
Tonic Triad
Violin Concerto
Violin Sonata
voice leading
Young Man

Product details

  • ISBN 9781138478244
  • Weight: 571g
  • Dimensions: 178 x 254mm
  • Publication Date: 14 Feb 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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For students learning the principles of music theory, it can often seem as though the tradition of tonal harmony is governed by immutable rules that define which chords, tones, and intervals can be used where. Yet even within the classical canon, there are innumerable examples of composers diverging from these foundational "rules." Drawing on examples from composers including J.S. Bach, Mozart, Beethoven, Schubert, Mendelssohn, Chopin, Brahms, and more, Bending the Rules of Music Theory seeks to take readers beyond the basics of music theory and help them to understand the inherent flexibility in the system of tonal music. Chapters explore the use of different rule-breaking elements in practice and why they work, introducing students to a more nuanced understanding of music theory.

Timothy Cutler is Instructor and Chair of Music Theory at the Cleveland Institute of Music.

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