Bengal Famine and Cultural Production

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A01=Babli Sinha
Amrita Bazaar Patrika
Anglophone authors and artists
Anglophone literary analysis
Author_Babli Sinha
Bengal Famine of 1943
Category=DSBH
Category=NHF
Category=NHTF
Colonial Administration
colonial historiography
cultural counter-discourse
cultural production of famine writers and artists
cultural responses to 1943 Bengal famine
decolonial memory
Emaciated Bodies
English Language Journalism
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Famine Inquiry Commission
famine representation
Famine Victims
Fazlul Huq
Food Sovereignty
Human Suffering
imperial biopolitics
imperial narratives
Mahila Atma Raksha Samiti
Orissa Famine
People's Relief Committee
People's War
Priyamvada Gopal
Quit India Campaign
SAM
South Asian trauma studies
Tamil Nadu
Total Disability Adjusted Life Years
Tragic Flaw
Water Man
Young Man
Zainul Abedin

Product details

  • ISBN 9781032370194
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 11 Jul 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The Bengal Famine and Cultural Production: Signifying Colonial Trauma analyses the various modes of representation used by Anglophone authors and artists in response to the Bengal Famine of 1943.

Official imperial narratives blamed the famine on natural disaster, war, exploitation by merchants, and incompetent local officials rather than members of the imperial government and have remained dominant in the global public imaginary until recent years. The authors and artists referenced in this study appealed to elite Bengali, South Asian, and international audiences to resist imperial narratives that minimized or erased suffering and instead encouraged relief efforts, promoted nationalist movements, maintained collective memory, innovated ethical forms of representation, and prompted systemic change. They were part of an established tradition of English in the subcontinent as the language of empire and cosmopolitanism but are not accessible, widely taught, or well-known. The direct encounter with suffering was and remains insufficient for prompting systemic change or even engagement, and yet, the recognition of trauma is crucial for personal and collective well-being. The cultural production of famine writers and artists sought to integrate the suffering and agency of the destitute into narratives of Bengali and South Asian identity and of the Second World War.

It is crucial to the Humanities to recognize this body of work as a cultural counter-discourse to the biopower of empire and to engage these texts as relevant to theories of trauma. The book will be of interest to researchers in the field of South Asian history, the history of the Bengal famine, South Asian Anglophone literature, twentieth century art history, and trauma theory.

Babli Sinha is Associate Professor of English and Director of Media Studies at Kalamazoo College, USA. She is the author of Cinema, Transnationalism, and Colonial India: Entertaining the Raj (2013) and editor of South Asian Transnationalisms: Cultural Exchange in the Twentieth Century (2012), also published by Routledge.

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