Bengali Cinema

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A01=Sharmistha Gooptu
alternative national cinema discourse
Amrita Bazar Patrika
Apur Sansar
Author_Sharmistha Gooptu
Bengal Cinema
Bengali Audiences
Bengali Bhadralok
Bengali Cinema
Bengali Culture
Bengali Life
Bengali Public
bengals
bhadralok
bombay
Bombay Cinema
Category=ATF
Category=GTM
Category=JBCT
Category=NH
cultural identity cinema
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
film industry institutions
Hindi Cinema
indian
Indian Cinema
Indian Cinema Studies
Indian film history
Kanan Devi
kumar
Middle Class Bhadralok
Moinak Biswas
Natir Puja
Parallel Cinema
Parash Pathar
Pather Panchali
postcolonial film analysis
ray
regional film studies
satyajit
Satyajit Ray
sen
South Asian media
Star Text
suchitra
Suchitra Sen
Talkie Era
uttam
Young Men

Product details

  • ISBN 9780415570060
  • Weight: 620g
  • Dimensions: 156 x 234mm
  • Publication Date: 29 Oct 2010
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Covering the years spanning cinema’s emergence as a popular form in Bengal in the first half of the twentieth century, this book examines the main genres and trends produced by this cinema, and leads up to Bengali cinema’s last phase of transition in the 1980s. Arguing that Bengali cinema has been a key economic and social institution, the author highlights that the Bengali filmic imaginary existed over and above the imaginary of the Indian nation.

This book argues that a definitive history of Bengali cinema presents an alternative understanding to the currently influential notion of the Hindi film as the ‘Indian’ or ‘national’ cinema. It suggests that the Bengali cinema presents a history which brings to the fore the deeply contested terrain of ‘national’ cinema, and shows the creation of the ‘alternative imaginary’ of the Bengali film. The author indicates that the case of the Bengali cinema demonstrates the emergence of a public domain that set up a definitive discourse of difference with respect to the ‘all-India’ Hindi film, popularly classified as Bollywood cinema, and which pre-empted its subsumption within the more pervasive culture of the Bombay Hindi cinema. As the first comprehensive historical work on Bengali cinema, this book makes a significant contribution to both Film and Cultural Studies and South Asian Studies in general.

Sharmistha Gooptu is a founder and managing trustee of the South Asia Research Foundation (SARF), a not-for-profit research body based in India. SARF’s current project SAG (South Asian Gateway) is in partnership with Taylor and Francis, and involves the creation of what will be the largest South Asian digital database of historical materials. She is also the joint editor of the journal South Asian History and Culture (Routledge) and the Routledge South Asian History and Culture book series.

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