Beowulf's Popular Afterlife in Literature, Comic Books, and Film

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13th
13th Warrior
A01=Kathleen Forni
adaptation theory
Anglo-American Popular Culture
Anglo-American retellings
Author_Kathleen Forni
Beowulf's Fights
Beowulf’s Fights
Brother Wolf
Category=DS
Category=DSB
Category=DSBB
Comic Book Adaptations
cultural studies analysis
Danish Vikings
Dragon Slayer
Dystopian Science Fiction
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Fairy Tale
Familial Drama
Gardner's Critique
Gardner's Grendel
gardners
Gardner’s Critique
Gardner’s Grendel
grendel
Grendel's Attack
Grendel's Head
Grendel's Mother
grendels
Grendel’s Attack
Grendel’s Head
Grendel’s Mother
Heaney's Translation
Heaney’s Translation
Heart Aroused
Hero's Journey
Hero’s Journey
hrolf
Hrolf Kraki
kraki
Liber Monstrorum
medieval literature reception
Monster Slayer
monster theory
Monstrous Races
mother
narrative inversion
original
poem
popular culture reinterpretations
Traditional Comic Book
Vanishing Mediator
warrior
Young Man

Product details

  • ISBN 9781138609839
  • Weight: 426g
  • Dimensions: 152 x 229mm
  • Publication Date: 04 Jun 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Beowulf's presence on the popular cultural radar has increased in the past two decades, coincident with cultural crisis and change. Why? By way of a fusion of cultural studies, adaptation theory, and monster theory, Beowulf's Popular Afterlife examines a wide range of Anglo-American retellings and appropriations found in literary texts, comic books, and film. The most remarkable feature of popular adaptations of the poem is that its monsters, frequently victims of organized militarism, male aggression, or social injustice, are provided with strong motives for their retaliatory brutality. Popular adaptations invert the heroic ideology of the poem, and monsters are not only created by powerful men but are projections of their own pathological behavior. At the same time there is no question that the monsters created by human malfeasance must be eradicated.

Kathleen Forni is a Professor in the English Department at Loyola University Maryland. Her previous publications include, in addition to a number of journal articles, three books examining the formation of Chaucer's canon and Chaucer's twentieth-century reception.

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