Beryl Cook / Tom of Finland
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This bold catalogue brings together the work of two cultural icons for the very first
time: Beryl Cook (1926–2008) and Tom of Finland (1920–1991). It was inspired by the
2024 exhibition Beryl Cook / Tom of Finland at Studio Voltaire in London.
Beryl Cook was a painter renowned for her exuberant style and descriptions of everyday
life. Her work captures the social milieu of the areas she lived in and visited, notably
Plymouth. Her most enduring images are of larger-than-life women carousing in
nightclubs, eating in cafés or enjoying ribald hen parties, rendered in graphic and
colourful forms. Cook’s work came to prominence in the mid-1970s and she quickly
became known as one of Britain’s best-loved artists, highly recognised for her distinctive
works, which are both celebratory and provocative.
Tom of Finland’s pioneering depictions of homosexual machismo in his images of
bikers, soldiers, cowboys, sailors and labourers broadly represent queer, leather and
muscle communities. A master draughtsman, he used his works to give form to an
imaginative universe that, in turn, helped fuel real-world liberation movements and had
significant influence on a wide range of cultural figures including the Village People,
Freddie Mercury, Jean Paul Gaultier and Robert Mapplethorpe.
Beryl Cook / Tom of Finland puts their work into conversation for the first time. The
pairing is perhaps unexpected, yet immediate and compelling relationships between
their practices are evident. Fundamentally, both artists employed a sustained and
coherent way of hyper-realising the body in images that celebrate pleasure and deny
shame. Together, their works reveal interconnected ideas surrounding sexuality, gender,
taste and class.
Artist and writer Huw Lemmey has contributed an incisive new essay exploring
the queer contexts inherent to Tom of Finland’s work, but that also finds latent
resonance in Cook’s paintings of gay bars and shapely women. He further considers
the commercial forms of distribution that made their complex bodies of works highly
accessible.
Spanning five decades of paintings, drawings and archival materials, this companion
catalogue contributes to new readings of the artists’ practices and their enduring impact
on popular culture.
Joe Scotland is the director of Studio Voltaire. Nicola Wright is the curator of exhibitions at Studio Voltaire. Callum Whitley is the assistant curator of exhibitions at Studio Voltaire. Huw Lemmey is an artist and writer whose recent novels include Unknown Language and Red Tory: MyCorbyn Chemsex Hell.