Between Habit and Thought in New TV Serial Drama

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A01=John Lynch
aesthetics of serial television drama
algorithmic attention economy
audience
Author_John Lynch
Axe Capital
Bernard Stiegler philosophy
Billions
capitalism
Category=ATJ
Cognitive Capitalism
Conditioning Expectations
Conventional Tv
creativity
critique
cultural production
cultural production theory
cultural studies
Culture Industry Thesis
Death Row
Death Row Prisoner
Dense
Dissociative Personality Disorder
DVD Box Set
dynamics
Eighteenth Century Pirates
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Face To Face
Fauda
Hedge Fund
Hedge Fund Managers
high value serial drama
House of Cards
imagination
John Lynch
media studies
Mr Robot
new media
Occupy Wall Street
Playback
Player Piano Roll
Rectify
serial drama
serial habits
social theory
sociology
streaming
Streaming Platforms
streaming platforms analysis
Sudden Departure
television studies
The Handmaid's Tale
The Leftovers
trauma and justice narratives
Tv Serial
TV Serial Drama
USA Network
Wall Street Traders
Westworld
Young Man

Product details

  • ISBN 9781032156644
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 25 Sep 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Between Habit and Thought in New TV Serial Drama: Serial Connections is a consideration of some of the key examples of serial television drama available via transnational streaming platforms in recent times. Through the individual works examined, the book exemplifies the ways in which aesthetics, technology, and capitalism weave a complex social fabric around the production of the respective television series, thus presenting this type of serial drama as a finely engineered cultural production. Taking Bernard Stiegler’s notion of an "image warfare" as its starting point, the author critically investigates the strategies deployed by the shows’ producers to navigate this dynamic, shaped by the "new spirit of capitalism". With creativity intrinsic to the process, on the one hand, and a highly efficient drive for capturing and fixing attention driven by algorithm and economic logic, on the other, the author maps the processes at work in the production of high-value serial drama and considers how, despite this tension, they manage to present meaningful insights into the experience of being in this world: A world shaped by trauma, a desire for justice, and a search for systems of belief that can offer a way through the vicissitudes of contemporary life. Framed by a detailed analysis of the multiple processes that shape these works is a sustained analysis of the serials Mr Robot, Billions, The Leftovers, Rectify, and Westworld, and the dynamics of despair and hope that ripple through them. As such, it will appeal to readers of film and television studies, cultural theory, and those interested in furthering a critical aesthetics for our time.

John Lynch is Associate Professor in Film and Media Studies at Karlstad University, Sweden.

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