Beware the Poetry

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A01=Javier Castro-Ibaseta
anonymous political verse
Author_Javier Castro-Ibaseta
cancioneros
Category=DSBD
Category=DSC
Category=JP
Category=NHD
Count-Duke of Olivares
diplomatic documentation
early modern politics
early modern Spanish public sphere
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Felipe III
Felipe IV
Gaspar de Guzman
literary criticism and historical method
Madrid
Madrid political culture
mentideros
newsletters
newsletters sermons and plays
papeles curiosos
pasquinades
Philip III
Philip III and Philip IV Spain
Philip IV
plays
poems
poetry
political publics
political satire
political satire early modern Spain
Public sphere
public sphere in early modern Europe
publicness
satirical poetry and libel
sermons
seventeenth century
seventeenth century Madrid history
Spain
Spanish Decadence
Spanish Golden Age politics
Spanish literary history
Spanish literature and political culture
tarabilla
valido

Product details

  • ISBN 9780271099354
  • Weight: 513g
  • Dimensions: 152 x 229mm
  • Publication Date: 25 Mar 2025
  • Publisher: Pennsylvania State University Press
  • Publication City/Country: US
  • Product Form: Hardback
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In the early seventeenth century, Spanish rulers were confronted by an avalanche of political satires. Beware the Poetry shows how these poetic libels helped articulate an early form of the public sphere, profoundly transforming political culture.

Exploring a rich trove of mostly anonymous satirical works, together with newsletters, sermons, and plays, Javier Castro-Ibaseta reconstructs the experiences of Madrilenians during the reigns of Philip III and Philip IV. Castro-Ibaseta proposes an original theory of political publics that corrects approaches that assume early modern Spain’s public sphere mirrored the politics of England or France. Instead, he shows that in Spain publicness was distinct because the satires—about the king’s favorite, and even about the king himself—were consumed for pleasure and entertainment. They did not create political communities or stir rebellious movements. Read diachronically, the long, continuous, evolving collection of satires reveals not just the opinions of the poets but something far more difficult to reconstruct: the shifting demands, interests, uncertainties, and worldviews of the audience—that is, the structure and dynamics of Madrid’s emerging public sphere. 

Applying an interdisciplinary approach of literary criticism and historical method, Beware the Poetry presents an exciting new take on politics and poetry during the period often referred to as the Spanish Decadence. It will be of special interest to scholars of early modern politics and Spanish literature and culture.

Javier Castro-Ibaseta is Assistant Professor in the Department of Spanish and Portuguese Studies at Rutgers University–Newark.

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