Beyond Christian Hip Hop

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African American
African diaspora studies
African diasporic cultures
Art
Black Lives Matter
Black Radical
Black Radical Imagination
Black theology
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CHH
Christian Hip Hop community
Christian Rapper
Christianity
Christians and Hip Hop
Cross Movement
cultural hybridity
Die Antwoord
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Erika Gault
Gospel
Gospel Album
Gospel Rap
Grand Master Flash
Hip Hop
Hip Hop Culture
Hip Hop Scenes
Hip Hop Studies
Ice T
identity
Intersection
intersection of faith and hip hop
Intersectionality
irreconcilable Christianity
Kanye West
LA Basin
LAPD Officer
Latinx Identity
Local Hip Hop Scene
Music
Paul The Apostle
Race
race and religion
racism
Rap
Rap Music
Religion
religious
religious identity formation
Saltwater Slavery
social justice activism
Travis Harris
Tunnel Rats
Young Men

Product details

  • ISBN 9780367185114
  • Weight: 760g
  • Dimensions: 156 x 234mm
  • Publication Date: 21 Nov 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Christians and Christianity have been central to Hip Hop since its inception. This book explores the intersection of Christians and Hip Hop and the multiple outcomes of this intersection. It lays out the ways in which Christians and Hip Hop overlap and diverge. The intersection of Christians and Hip Hop brings together African diasporic cultures, lives, memories and worldviews.

Moving beyond the focus on rappers and so-called "Christian Hip Hop," each chapter explores three major themes of the book: identifying Hip Hop, irreconcilable Christianity, and boundaries.There is a self-identified Christian Hip Hop (CHH) community that has received some scholarly attention. At the same time, scholars have analyzed Christianity and Hip Hop without focusing on the self-identified community. This book brings these various conversations together and show, through these three themes, the complexities of the intersection of Christians and Hip Hop. Hip Hop is more than rap music, it is an African diasporic phenomenon. These three themes elucidate the many characteristics of the intersection between Christians and Hip Hop and our reasoning for going beyond "Christian Hip Hop."

This collection is a multi-faceted view of how religious belief plays a role in Hip Hoppas' lives and community. It will, therefore, be of great interest to scholars of Religion and Hip Hop, Hip Hop, African Diasporas, Religion and the Arts, Religion and Race and Black Theology as well as Religious Studies more generally.

Erika Gault is Assistant Professor in the Africana Studies Program in the College of Humanities at the University of Arizona, USA. On the topic of hip hop, religion, and/or digital ethnography she has delivered and published a number of papers regionally, nationally, and internationally. She is the recipient of a 2018-2019 Louisville Institute's First Book Grant for Minority Scholars for her current project regarding the digital-religious cultures of Black young adults. Erika centers her ethnographic work around social media and hip hop. She is an ordained elder at Elim Christian Fellowship and an award-winning slam poet.

Travis Harris is Assistant Professor in the department of African American Studies at Virginia Commonwealth University, USA. Harris is also the Editor in Chief of the Journal of Hip Hop Studies, the leading journal on publishing Hip Hop scholarship. Harris is also involved in the Black freedom struggle as the Director of Political Education for the International Black Freedom Alliance. Harris is an ordained minister and is driven to ensure that those "from the bottom" are not forgotten, in academia or the freedom struggle.