Beyond Mimesis

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aesthetics
AI
aisthetics
alterity
applied ethics
art theory
Category=QDTN
corporeality
digital media
epistemology
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eq_isMigrated=2
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ethics
knowledge
media philosophy
mimesis
movement
performance
phenomenology
philosophy of science
philosophy of technology
Robotics
selfhood
STS
Subjectivity
theatre studies
visual cultures

Product details

  • ISBN 9781538171790
  • Weight: 490g
  • Dimensions: 157 x 240mm
  • Publication Date: 20 Dec 2023
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Hardback
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Providing a solid media-philosophical groundwork, Beyond Mimesis contributes to the theory of mimesis and alterity in performance philosophy while serving to stimulate and inspire future inquiries where studies in media and art intersect with philosophy. It collects a wide range of philosophical and artistic thinkers' work to develop an exacting framework with clear movement beyond mimesis in aesthetic experiences in uncanny valleys. Together, the chapters ask if intersubjective acts of relating that are defined by alterity, responsivity or witness and trust can be transferred to artificial beings without remainder.
The proposed framework uses a particularly fruitful theoretical model for this inquiry known as the “uncanny valley”—a fictitious schema developed in 1970 by Japanese roboticist Masahiro Mori. According to Mori, artificial beings or animated dolls become more eerie to us the more “humanlike” they appear. The model’s utility requires distinguishing between visual media and real life, but in general, it suggests that there is a fundamental incommensurability between people and artificial beings that cannot be ignored. This necessitates that all-too realistic representations as well as fictional encounters with artificial beings do not transgress certain limits. According to Mori, it is an ethical imperative of their design that they evidence a certain degree of dissimilarity with people. This notion seems especially applicable to artistic projects in which animated dolls or robots make explicit their “doll-ness” or “robot-ness” and thus inscribe a moment of reflexivity into the relations they establish.
With contributions by Elena Dorfman, Jörg Sternagel, Dieter Mersch, Allison de Fren, Nadja Ben Khelifa, James Tobias, Grant Palmer, Stephan Günzel, Nicole Ku?uleinapuananioliko?awapuhimelemeleolani Furtado, Misha Choudhry and a conversation between Carolin Bebek, Simon Makhali, and Anna Suchard.

Jörg Sternagel is a scholar in media studies with a focus on media philosophy at the Universities of Konstanz and Passau.
James Tobias is associate professor in the Department of English at the University of California, Riverside.
Dieter Mersch is Professor Emeritus for philosophical aesthetics at Zürcher Hochschule der Künste.