Beyond Orality

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A01=Jacqueline Vayntrub
A01=Jeff Fasano
A01=Jenise Addison
A01=Mary Gauthier
A01=Valerie Lum
Age Group_Uncategorized
Age Group_Uncategorized
ancient verbal art
Author_Jacqueline Vayntrub
Author_Jeff Fasano
Author_Jenise Addison
Author_Mary Gauthier
Author_Valerie Lum
automatic-update
Balaam Story
Biblical Authors
Biblical mashal
Biblical Poetry
Biblical Scholarship
Biblical Texts
Biblical Wisdom Literature
Category1=Non-Fiction
Category=DSC
Category=HRCF1
Category=HRCG
Category=QRMF12
Category=QRVC
COP=United Kingdom
David Son
David's Performance
David's Speech
David’s Performance
David’s Speech
Delivery_Delivery within 10-20 working days
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Ethnic Genre
Frame Speaker
Great Divide
Hebrew Bible genres
Hebrew Poetry
Ibn Falaquera
Ibn Tibbon
Language_English
mashal
Masoretic Text
Modern Biblical Scholarship
native poetics theory
oral poetics
oral poetics in the ancient near east
oral poetics in the bible
oral tradition in biblical texts
Orality in biblical literature
Orality in biblical poetry
Orality in the ancient Near East
Orality in the bible
Orality in the biblical world
PA=Available
Parallelismus Membrorum
performance and orality
performance and the bible
Philology and biblical poetry
Poetic Units
Price_€100 and above
Prophetic Collection
prophetic discourse framing
PS=Active
Robert Lowth
softlaunch
speech performance analysis
Van Der Toorn
Wisdom Corpus
Wisdom Literature
wisdom literature studies
Young Man

Product details

  • ISBN 9781138235625
  • Weight: 540g
  • Dimensions: 156 x 234mm
  • Publication Date: 01 Mar 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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Central to understanding the prophecy and prayer of the Hebrew Bible are the unspoken assumptions that shaped them—their genres. Modern scholars describe these works as “poetry,” but there was no corresponding ancient Hebrew term or concept. Scholars also typically assume it began as “oral literature,” a concept based more in evolutionist assumptions than evidence. Is biblical poetry a purely modern fiction, or is there a more fundamental reason why its definition escapes us?

Beyond Orality: Biblical Poetry on its Own Terms changes the debate by showing how biblical poetry has worked as a mirror, reflecting each era’s own self-image of verbal art. Yet Vayntrub also shows that this problem is rooted in a crucial pattern within the Bible itself: the texts we recognize as “poetry” are framed as powerful and ancient verbal performances, dramatic speeches from the past. The Bible’s creators presented what we call poetry in terms of their own image of the ancient and the oral, and understanding their native theories of Hebrew verbal art gives us a new basis to rethink our own.

Jacqueline Vayntrub is Assistant Professor of Hebrew Bible at Yale Divinity School, USA.

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