A01=Michael Betancourt
affair
Agnostic
Author_Michael Betancourt
Bazin's Conception
Bazin’s Conception
Category=AFKV
Category=ATF
Category=ATFA
Category=ATJ
Category=JBCT
Cinematic Form
Cinematic Realism
cinematic semiotics
compositing taxonomy in cinema
crown
Deep Space
Digital Technology Controls
Dominant Narrative Cinema
Duck Amuck
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Expanded Cinema
experimental film research
film theory
GUI Desktop
Heuristic Theory
Kaleidoscopic Imagery
Mainstream Narrative Cinema
Maurice Binder
media aesthetics
motion
motion graphics analysis
Moving Pictures
multiple
narrative editing techniques
Night Stalker
optical
Pas De Deux
Peter Gidal
pictures
printer
Screen Logic
sequence
Soviet Montage
Spatial Montage
Specific Ramifications
thomas
Thomas Crown Affair
title
Title Sequence
Video Feedback
Product details
- ISBN 9781138938663
- Weight: 500g
- Dimensions: 152 x 229mm
- Publication Date: 08 Mar 2016
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
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Beyond Spatial Montage: Windowing, or the Cinematic Displacement of Time, Motion, and Space offers an extended discussion of the morphology and structure of compositing, graphic juxtapositions, and montage employed in motion pictures. Drawing from the history of avant-garde and commercial cinema, as well as studio-based research, here media artist and theorist Michael Betancourt critiques cinematic realism and spatial montage in motion pictures. This new taxonomic framework for conceptualizing linkages between media art and narrative cinema opens new areas of experimentation for today’s film editors, motion designers, and other media artists.
Michael Betancourt, Ph.D. is an artist, historian, theorist, and professor at the Savannah College of Art and Design in Savannah, Georgia. He is the author of The ____________ Manifesto, The History of Motion Graphics, and The Critique of Digital Capitalism. Michael has exhibited internationally, and his work has been translated into Chinese, French, Greek, Italian, Japanese, Persian, Portuguese, and Spanish.
