Beyond the Bandstand

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" Carnegie Hall
" Orientalism
"Modern American Music
'The King of Jazz'
A24=W. Anthony Sheppard
A32=Catherine Tackley
A32=Christi J. Wells
A32=John Howland
A32=Katherine M. Leo
A32=Lisa Conathan
A32=Ryan R. Bañagale
A32=Sarah C. Provost
A32=Stephanie Doktor
Age Group_Uncategorized
Age Group_Uncategorized
American Bandstand
American music
arranging
Arthur Lange
automatic-update
B01=W. Anthony Sheppard
bandleader
Benny Goodman
British jazz
Category1=Non-Fiction
Category=AVC
Category=AVG
Category=AVGJ
Category=AVLP
Chicago
Chicago Defender
COP=United States
copyright
Dave Peyton
Delivery_Pre-order
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Experiment in Modern Music
Ferde Grofe
film
Fred Waring
George Gershwin
Goodyear Revue
Hollywood
integration
Jack Hylton
James Reese Europe
jazz
Language_English
Louis Alter
Manhattan Serenade
middlebrow
National Association of Performing Artists NAPA
New York City
PA=Not yet available
popular culture
Price_€20 to €50
PS=Forthcoming
racism
radio
radio broadcasting
RCA
recording
Rhapsody in Blue
Robbins Music
Savoy Orpheans
segregation
softlaunch
teenagers
television
TV Teen Club
United Kingdom

Product details

  • ISBN 9780252088209
  • Weight: 567g
  • Dimensions: 156 x 235mm
  • Publication Date: 19 Nov 2024
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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The most successful bandleader of the 1920s, Paul Whiteman was an entertainment icon who played a major role in the mainstreaming of jazz. Whiteman and his band premiered Gershwin’s Rhapsody in Blue. Duke Ellington acknowledged his achievements. His astonishing ear for talent vaulted a who’s who of artists toward prominence. But Whiteman’s oversized presence eclipsed Black jazz musicians while his middlebrow music prompted later generations to jettison him from jazz history.

W. Anthony Sheppard’s collection of essays confronts the racial implications of Whiteman’s career. The contributors explore Whiteman’s broad impact on popular culture, tracking his work and influence in American marketing, animated films, the Black press, Hollywood, and the music publication industry, and following him behind the scenes with arrangers, into grand concert halls, across the Atlantic, into the courtroom, and on television.

Multifaceted and cutting-edge, Beyond the Bandstand explores the racial politics and artistic questions surrounding a controversial figure in popular music.

Contributors: Ryan Raul BaÑagale, Stephanie Doktor, John Howland, Katherine M. Leo, Sarah Caissie Provost, W. Anthony Sheppard, Catherine Tackley, Elijah Wald, and Christi Jay Wells

W. Anthony Sheppard is the Marylin & Arthur Levitt Professor of Music at Williams College. He is the author of Extreme Exoticism: Japan in the American Musical Imagination