Beyond the Beat

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A01=Daniel B. Cornfield
Activism
Advocacy
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American Federation of Musicians
Ansley
Apprenticeship
Art world
Artistic freedom
Audio engineer
Author_Daniel B. Cornfield
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Bill Purcell (mayor)
Career
Career Pathways
Category1=Non-Fiction
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Collaboration
Collective action
Collective bargaining
COP=United States
Cornell University Press
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Economic development
Economic sector
Employment
Entrepreneurship
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Freelancer
Grand Ole Opry
Grassroots
Guitar
Guitar Player
Health insurance
Household
Identity politics
Immigration to the United States
Impresario
In the Studio (radio show)
Income
Intellectual property
Labour movement
Language_English
Livelihood
Mentorship
Music executive
Music genre
Music industry
Music publisher (popular music)
Music Row
Music school
Music venue
Nashville Songwriters Association International
New Generation
Niche market
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Peer mentoring
Pension
Personal development
Popular music
Price_€20 to €50
Production company
Professional association
PS=Active
Publishing
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Recording studio
Self-employment
Singer-songwriter
Small business
Social enterprise
Social entrepreneurship
Social movement
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Sociology
softlaunch
Songwriter
Susan Brooks
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University of Tennessee Press
Workforce

Product details

  • ISBN 9780691183398
  • Dimensions: 152 x 235mm
  • Publication Date: 27 Nov 2018
  • Publisher: Princeton University Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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At a time when the bulwarks of the music industry are collapsing, what does it mean to be a successful musician and artist? How might contemporary musicians sustain their artistic communities? Based on interviews with over seventy-five popular-music professionals in Nashville, Beyond the Beat looks at artist activists—those visionaries who create inclusive artist communities in today's individualistic and entrepreneurial art world. Using Nashville as a model, Daniel Cornfield develops a theory of artist activism—the ways that artist peers strengthen and build diverse artist communities.

Cornfield discusses how genre-diversifying artist activists have arisen throughout the late twentieth-century musician migration to Nashville, a city that boasts the highest concentration of music jobs in the United States. Music City is now home to diverse recording artists—including Jack White, El Movimiento, the Black Keys, and Paramore. Cornfield identifies three types of artist activists: the artist-producer who produces and distributes his or her own and others' work while mentoring early-career artists, the social entrepreneur who maintains social spaces for artist networking, and arts trade union reformers who are revamping collective bargaining and union functions. Throughout, Cornfield examines enterprising musicians both known and less recognized. He links individual and collective actions taken by artist activists to their orientations toward success, audience, and risk and to their original inspirations for embarking on music careers.

Beyond the Beat offers a new model of artistic success based on innovating creative institutions to benefit the society at large.

Daniel B. Cornfield is professor of sociology at Vanderbilt University. He is the author of Becoming a Mighty Voice and coeditor of Worlds of Work.

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