100 Film Musicals

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A01=Doug Pye
A01=Douglas Pye
A01=J. Gibbs
A01=Jim Hillier
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Author_Doug Pye
Author_Douglas Pye
Author_J. Gibbs
Author_Jim Hillier
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Category1=Non-Fiction
Category=A
Category=ATFG
Category=ATGW
Category=AVLM
cinema
COP=UNITED KINGDOM
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eq_music
eq_nobargain
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Ernst Lubitsch
film
Fritz Lang
Hollywood
Language_Others
opera
Price_€20 to €50
SN=Screen Guides
softlaunch
world cinema

Product details

  • ISBN 9781844573783
  • Weight: 400g
  • Dimensions: 122 x 166mm
  • Publication Date: 24 May 2011
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
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From the coming of sound to the 1960s, the musical was central to Hollywood production. Exhibiting – often in spectacular fashion – the remarkable resources of the Hollywood studios, musicals came to epitomise the very idea of 'light entertainment'. Films like Top Hat and 42nd Street, Meet Me in St. Louis and On the Town, Singin' in the Rain and Oklahoma!, West Side Story and The Sound of Music were hugely popular, yet were commonly regarded by cultural commentators as trivial and escapist. It was the 1970s before serious study of the Hollywood musical began to change critical attitudes and foster an interest in musical films produced in other cultures. Hollywood musicals have become less common, but the genre persists and both academic interest in and fond nostalgia for the musical shows no signs of abating.

100 Film Musicals provides a stimulating overview of the genre's development, its major themes and the critical debates it has provoked. While centred on the dominant Hollywood tradition, 100 Film Musicals includes films from countries that often tried to emulate the Hollywood style, like Britain and Germany, as well as from very different cultures like India, Egypt and Japan. Jim Hillier and Douglas Pye also discuss post-1960s films from many different sources which adapt and reflect on the conventions of the genre, including recent examples such as Moulin Rouge! and High School Musical, demonstrating that the genre is still very much alive.

JIM HILLIER and DOUGLAS PYE are Visiting Fellows in the Department of Film, Theatre and Television at the University of Reading. Jim Hillier's recent publications include 100 Film Noirs (2009, with Alastair Phillips) and American Independent Cinema (2001). Douglas Pye's recent publications include Style and Meaning (2005, with John Gibbs) and The Movie Book of the Western (1996, with Ian Cameron).

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