Bible and Cinema

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A01=Adele Reinhartz
Apocalyptic Films
Apocalyptic Movies
Author_Adele Reinhartz
Ben Wade
Bible Epic
Bible Movies
biblical narratives in contemporary cinema
blade
Capital Punishment
Category=JBCT
Category=QRA
Category=QRM
Christ-figure archetypes
cinematic hermeneutics
commandments
Cruciform Position
Dead Man Walking
Empty Tombs
epic
Epic Genre
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
ethics in popular media
Fictional Feature Films
Frank Darabont
Fried Green Tomatoes
genre
gran
Henry King
Horror Movies
Inglourious Basterds
Jesus Christ Superstar
Jesus Movies
La Ricotta
Main Characters
movies
pale
Prison Break
Quo Vadis
religious film analysis
scriptural reception studies
sling
Superb
ten
Tom Shadyac
torino
transcendence in visual culture
Young Man

Product details

  • ISBN 9780367250225
  • Weight: 1020g
  • Dimensions: 156 x 234mm
  • Publication Date: 31 Mar 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Bible and Cinema: An Introduction is a comprehensive examination of how the Bible has been used and represented in mainstream cinema to develop its plots, characters, and themes. The book considers two general types of films: Bible movies that retell biblical stories, such as the Exodus and the life of Jesus, and Bible-related movies that make use of biblical books, stories, verses, and figures, and Bibles themselves to tell non-biblical, often fictional, narratives. Topics covered include:

    • the contribution of Bible and Bible-related movies to the history of the Bible’s reception;
    • the ways in which filmmakers make use of scripture to address and reflect their own time and place;
    • the Bible as a vehicle through which films can address social and political issues, reflect human experiences and emotions, explore existential issues such as evil and death, and express themes such as destruction and redemption;
    • the role of the Bible as a source of ethics and morality, and how this role is both perpetuated and undermined in a range of contemporary Hollywood films; and
    • film as a medium for experiences of transcendence, and the role of the Bible in creating such experiences.

This thoroughly updated second edition includes insightful analysis of films such as Noah, Gods and Men, Mary Magdalene, and The Shawshank Redemption, paying attention to visual and aural elements as well as plot, character, and dialogue. The book also includes pedagogical resources including discussions of film theory, as well as key words and discussion questions. Teachers, students, and anyone interested in the intersection of Bible and cinema will find this an invaluable guide to a growing field.

Adele Reinhartz is Professor in the Department of Classics and Religious Studies at the University of Ottawa, Canada. She has authored a number of books on the intersection of Bible and film, including Scripture on the Silver Screen (2003), Jesus of Hollywood (2007), Bible and Cinema: Fifty Key Films (2012), and Bible and Cinema: An Introduction (first edition, 2013).

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