Big Data—A New Medium?

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Algorithm
Algorithmic Shadows
Automatic Prescription
Automation
BCIs
Big Data
big data phenomenon
Big Data Techniques
Biometrics
Category=AB
Category=GLZ
Category=GTC
Category=JBCC
Category=JBCT
Category=JHB
Category=UMB
Cellular Automata
cognitive capitalism
Cyber Physical Systems
data classification systems
data mining
Data Sets
Deep Learning Neural Networks
digital biopolitics
Digital Humanities
epistemic landscapes
eq_art-fashion-photography
eq_bestseller
eq_computing
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Gps User
Hammerhead Shark
Humanitarian Aid
Machine Intelligence
machine-generated art
media theory
memory institutions
Missing Visuals
Motion Capture Data
National Library
Neuronal Recycling
Neuronal Recycling Hypothesis
NWP
Patterning
Perception Engine
political philosophy
science and technology studies
Self-tracking Data
Vice Versa
Vija Celmins
Vincent Van Gogh
Visual Word Form Area

Product details

  • ISBN 9780367333836
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 27 Nov 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Drawing on a range of methods from across science and technology studies, digital humanities and digital arts, this book presents a comprehensive view of the big data phenomenon.

Big data architectures are increasingly transforming political questions into technical management by determining classificatory systems in the social, educational, and healthcare realms. Data, and their multiple arborisations, have become new epistemic landscapes. They have also become new existential terrains. The fundamental question is: can big data be seen as a new medium in the way photography or film were when they first appeared? No new medium is ever truly new. It’s always remediation of older media. What is new is the medium’s re-articulation of the difference between here and there, before and after, yours and mine, knowable and unknowable, possible and impossible.

This transdisciplinary volume, incorporating cultural and media theory, art, philosophy, history, and political philosophy is a key resource for readers interested in digital humanities, cultural, and media studies.

Natasha Lushetich is Professor of Contemporary Art & Theory at the University of Dundee. Her research is interdisciplinary and focuses on intermedia, biopolitics and performativity, the status of sensory experience in cultural knowledge, hegemony, and complexity.