Bion in Film Theory and Analysis

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A01=Carla Ambrosio Garcia
analysis
Apparatus Theory
apparatus theory critique
Author_Carla Ambrosio Garcia
Binocular Vision
Bion
Bion's Concept
Bion's Theory
Bion’s Concept
Bion’s Theory
caesura in psychology
Category=ATFA
Category=JMAF
cinema
Cinematic Apparatus
cinematic retreat theory
Death Instinct
Dream Screen
Early Maternal Relationship
Epistemophilic Impulse
Epistemophilic Instinct
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
film
Gaylyn Studlar
Glass Darkly
Imaginary Twin
Julian's Love
Julian’s Love
Man Asleep
Maternal Space
Mental Evolution
Mental Experience
mysticism in visual culture
Oedipus Rex
Plato's Cave
Plato's Scheme
Plato’s Cave
Plato’s Scheme
Protagonist's Retreat
Protagonist’s Retreat
psychoanalysis of European cinema
psychoanalytic film studies
Struc Ture
Timeless
transitional object cinema
Young Man

Product details

  • ISBN 9781138193048
  • Weight: 272g
  • Dimensions: 156 x 234mm
  • Publication Date: 23 Nov 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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In Bion in Film Theory and Analysis: The Retreat in Film, Carla Ambrósio Garcia introduces the rich potential of the thinking of British psychoanalyst Wilfred Bion for film theory. By so doing, she rethinks the space of the cinema as a space of retreat, and brings new insights into the representation of retreat in film.

Presented in two parts, the book seeks to deepen our understanding of the film experience and psychical growth. Part I places Bion’s view on the importance of the epistemophilic instinct at the heart of a critique of the pleasure-centred theories of the cinematic apparatus of Jean-Louis Baudry, Christian Metz and Gaylyn Studlar, proposing an idea of cinema as ‘thoughts in search of a thinker’. Garcia then moves from Bion’s epistemological period to his later work, which draws on mysticism, in order to posit an emotional experience in the cinema through which the subject can be or become real (or at one with ‘O’). Part II examines representations of retreat in four European films, directed by Ingmar Bergman, Pier Paolo Pasolini, Georges Perec and Bernard Queysanne, and Manoel de Oliveira, showing them to articulate a gesture of retreat as an emotionally turbulent transitional stage in the development of the psyche – what Bion conceptualizes as caesura.

Through its investigation of the retreat in cinema, the book challenges common understandings of retreat as a regressive movement by presenting it as a gesture and space that can also be future-oriented. Bion in Film Theory and Analysis will be of significant interest to academics and students of psychoanalysis, psychotherapy, and film and media studies, as well as psychoanalysts and psychotherapists.

Carla Ambrósio Garcia is a filmmaker and academic who completed her doctorate in Film Studies at King’s College London (funded by Fundação Ciência e Tecnologia in Portugal). Her articles on film and psychoanalysis have been published in academic journals and edited collections, and she currently teaches at King’s College and Royal Holloway, University of London.