Biopolitics, Materiality and Meaning in Modern European Drama

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A01=Hedwig Fraunhofer
affect
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Antonin Artaud
anxiety
August Strindberg
Author_Hedwig Fraunhofer
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Bertolt Brecht
biopolitics
Category1=Non-Fiction
Category=DSG
contagion
COP=United Kingdom
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eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
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fascism
immunity
Jean-Paul Sartre
Language_English
Modern theatre
New Materialism
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posthumanism
Price_€20 to €50
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Rosi Braidotti
softlaunch

Product details

  • ISBN 9781474467445
  • Dimensions: 164 x 230mm
  • Publication Date: 25 Aug 2022
  • Publisher: Edinburgh University Press
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Arguing that existing modernization theories have been unnecessarily one-sided, Hedwig Fraunhofer offers a rewriting of modernity that cuts across binary methodologies nature and culture, mind and matter, epistemology and ontology, critique and affirmative writing, dramatic and postdramatic theatre. She specifically reworks the biopolitical exclusions that mark modern western epistemology, leading up to modernity's totalitarian crisis point.Fraunhofer reveals the performativity of theatre in its double sense as theatrical production and as the intra-activity of a dynamic system of multiple relations between human and more-than-human actors, energies and affects. In modern theatre, public and private, human and more-than-human, materiality and meaning collapse in a common life.
Hedwig (Hedy) Fraunhofer is Professor of French and German in the Department of World Languages & Cultures at Georgia College (U.S.). Working at the intersection of Comparative Literature, Drama and Theatre Studies, and Philosophy, she has published on the critical theory of the Frankfurt School, poststructuralism, new materialist philosophy, European drama, and the novelist Daniel Kehlmann.

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