Black Abstraction in Architecture

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A01=Sean Canty
Abstraction
Architect
Architecture
Art
Author_Sean Canty
BIPOC
Black
Category=AMA
Category=AMC
Culture
Design
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
forthcoming
Marginalisation
Reappropriation
Renewal

Product details

  • ISBN 9783038604327
  • Dimensions: 150 x 230mm
  • Publication Date: 09 Nov 2026
  • Publisher: Park Books
  • Publication City/Country: CH
  • Product Form: Paperback
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In Black Abstraction in Architecture, Sean Canty charts the evolution of architectural abstraction from its roots in Euclidean geometry, through its utilization as a vehicle for colonial expansion, to its contemporary reappropriation by Black cultural practitioners. Canty’s comprehensive historical and critical scrutiny reveals the paradoxical nature of abstraction as both a mechanism of marginalisation and a potent instrument for socio-political discourse and renewal. By focusing on the transformative contributions of David Hammons, Amanda Williams, and Theaster Gates, this essay illustrates how these artists and architects employ abstraction to question, reinterpret, and enrich architectural standards, embedding within them a rich tapestry of cultural, political, and societal narratives.

Canty’s approach not only subverts traditional architectural frameworks but also illuminates the potential of abstraction to cultivate a more equitable and introspective architectural conversation. He advocates for a methodology that is at once inventive, inclusive, and sensitive to the intricate interplay of history, identity, and form.

Sean Canty runs his architecture firm Studio Sean Canty in Cambridge, MA, and teaches as an Assistant Professor of Architecture at Harvard Graduate School of Design. He is also a founding principal of Office III, an experimental architectural collective that spans New York, San Francisco, and Cambridge, MA. Esther Choi is a distinguished architecture activist and scholar based in New York and known for her work exploring the intersection of architecture, art, and politics.

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