Black Activists Write Wheatley and Washington

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1932 Bicentennial
A01=Lurana Donnels O'Malley
A01=Lurana Donnels O’Malley
African American theatre
American theatre
Author_Lurana Donnels O'Malley
Author_Lurana Donnels O’Malley
Bicentennial drama reinterpretation
Black Americans
Black studies
Black theatre
Black Voices
Black women playwrights
Category=AFKP
Category=ATD
Category=JBCC1
Category=JBSF11
Category=JPHL
Category=NH
Category=NHTB
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
George Washington
historical pageants
Mary Church Terrell
performance studies
Phillis Wheatley
racial representation
twentieth century
US national identity
W. E. B. Du Bois

Product details

  • ISBN 9781032360935
  • Weight: 680g
  • Dimensions: 156 x 234mm
  • Publication Date: 11 Jul 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book examines how early twentieth-century Black theatre artists depicted national mythologies of the United States.

White-authored pageants and plays written for the 1932 Bicentennial celebration of George Washington’s birthday relegated Black Americans to the periphery through racist stereotyping. Black activists Mary Church Terrell and W. E. B. Du Bois seized the opportunity to place Black people at center stage and to revise contemporary views of Washington and of Black achievement. Terrell’s Historical Pageant-Play Based on the Life of Phyllis Wheatley and Du Bois’s George Washington and Black Folk dramatize how the achievements of Black men and women fit into the US origin story. Terrell’s script is a biography of the life of the enslaved African poet Phillis Wheatley; Du Bois’s pageant is a transgressive revision of the Washington myth.

The book’s chapters contextualize these plays within the larger Bicentennial event. O’Malley also includes her edited version of Terrell’s script, published here for the first time.

This interdisciplinary book will be a valuable resource for college and university courses in American theatre and performance studies, Black Studies, and Women’s Studies.

Lurana Donnels O’Malley is Professor Emerita in Theatre and Dance at the University of Hawaiʻi at Mānoa, USA, where she taught in the areas of Euro-American theatre history, research, and directing from 1991 to 2025.

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