Black American Cinema

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African diaspora studies
Afro American Independent Cinema
baadasssss
Bath Tub
Beverly Hills Cop
Black Arts Movement
Black Female Spectators
black film aesthetics research
Black Independent Cinema
Black Male Character
Black Spectator
Black Women
Bush Mama
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Category=JBCT
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Category=NH
Category=NHTB
cinematic representation
Color Purple
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East Austin
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eq_history
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eq_society-politics
Feminist Film Criticism
film theory
gender and race analysis
Haile Gerima
Hollywood crossover filmmakers
Ibo Landing
julie
killer
La Negra
Manthia Diawara
micheaux
Micheaux's Films
oscar
Oscar Micheaux
Race Movies
Resisting Spectator
Soldier's Story
song
sweet
Sweet Sweetback's Baadasssss Song
sweetback's
Tomorrow's Children
visual culture critique
woman
Young Man

Product details

  • ISBN 9780415903967
  • Weight: 780g
  • Dimensions: 152 x 229mm
  • Publication Date: 18 Aug 1993
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This is the first major collection of criticism on Black American cinema. From the pioneering work of Oscar Micheaux and Wallace Thurman to the Hollywood success of Spike Lee, Black American filmmakers have played a remarkable role in the development of the American film, both independent and mainstream.

In this volume, the work of early Black filmmakers is given serious attention for the first time. Individual essays consider what a Black film tradition might be, the relation between Black American filmmakers and filmmakers from the diaspora, the nature of Black film aesthetics, the artist's place within the community, and the representation of a Black imaginary. Black AmericanCinema also uncovers the construction of Black sexuality on screen, the role of Black women in independent cinema, and the specific question of Black female spectatorship. A lively and provocative group of essays debate the place and significance of Spike Lee

Of crucial importance are the ways in which the essays analyze those Black directors who worked for Hollywood and whose films are simplistically dismissed as sell-outs, to the Hollywood "master narrative," as well as those "crossover" filmmakers whose achievements entail a surreptitious infiltration of the studios. Black AmericanCinema demonstrates the wealth of the Black contribution to American film and the complex course that contribution has taken.

Contributors: Houston Baker, Jr., Toni Cade Bambara, Amiri Baraka, Jacquie Bobo, Richard Dyer, Jane Gaines, Henry Louis Gates, Jr., Ron Green, Ed Guerrero, bell hooks, Phyllis Klotman, Ntongele Masilela, Clyde Taylor, and Michele Wallace.

Manthia Diawara is Professor of English at the University of Pennsylvania.