Black Arts Movement and the Black Panther Party in American Visual Culture

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A01=Jo-Ann Morgan
Abdul Alkalimat
activist art movements
African American art
African American history
African American Museum
African American studies
African American visual art
AfriCOBRA
AfriCOBRA collective
Afro
Afro Hairdo
American art
Angela Davis
art history
Author_Jo-Ann Morgan
Bart
Berkeley
Black Aesthetic
Black Arts Movement
Black Arts Repertory Theater
Black cultural identity
Black Man
Black Panther
Black Panther Newspaper
Black Panther Party
Black Panthers
black power
California
Category=AGA
Category=JBSL
Category=JPWQ
civil rights
desegregation
Eldridge Cleaver
Emory Douglas
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
FBI Warning
Green Library
Huey P. Newton
identity
Kathleen Cleaver
Lowndes County
Lowndes County Freedom Organization
Malcolm X
media representation studies
Merritt College
newspaper
Oakland
Oakland Museum
Oakland Public Library
Outdoor Mural
paintings
photography
political iconography
politics
posters
prints
SNCC Chairman
South Side Community Art Center
VDC
visual culture
visual culture of Black Power era
Young Man

Product details

  • ISBN 9780367663155
  • Weight: 453g
  • Dimensions: 174 x 246mm
  • Publication Date: 30 Sep 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book examines a range of visual expressions of Black Power across American art and popular culture from 1965 through 1972. It begins with case studies of artist groups, including Spiral, OBAC and AfriCOBRA, who began questioning Western aesthetic traditions and created work that honored leaders, affirmed African American culture, and embraced an African lineage. Also showcased is an Oakland Museum exhibition of 1968 called "New Perspectives in Black Art," as a way to consider if Black Panther Party activities in the neighborhood might have impacted local artists’ work. The concluding chapters concentrate on the relationship between selected Black Panther Party members and visual culture, focusing on how they were covered by the mainstream press, and how they self-represented to promote Party doctrine and agendas.

Jo-Ann Morgan is Professor of African American Studies and Art History at Western Illinois University, USA. Her previous book, Uncle Tom’s Cabin as Visual Culture, received the Peter Seaborg Award for Civil War Scholarship in 2008.

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