A01=Peter Lurie
African American Studies
American studies
Author_Peter Lurie
Bazin
Black cinema
Black Digital Media
black literature
Black Studies
Blackness on Screen
Category=ATFA
Category=JBSL
Deleuze
Digital Media
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
film studies
Frederick Douglass
George Floyd
Henry Louis Gates
Lev Manovich
Michael Brown
modernism
New Media studies
race and ethnic studies
Stephen Prince
Product details
- ISBN 9781501393570
- Dimensions: 152 x 229mm
- Publication Date: 07 Sep 2023
- Publisher: Bloomsbury Publishing Plc
- Publication City/Country: US
- Product Form: Hardback
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From the photographs of Frederick Douglas published with his memoir to the circulation of Twitter hashtags after the murders of Michael Brown and George Floyd, this book argues that African American cultural presence and racial meaning making can be traced along the still-developing arc of visuality.
The earliest films of race were notable for their conviction about what the cinematic image and, eventually, the sound film could proffer: an “authentic” account of race and, specifically, Blackness on screen. Against those suasions Black Evanescence posits a vision of, and for, digital technology that sees its intersections with racial imagery very differently.
This book argues that digital imagery possesses a salutary evanescence. Produced by a technology that does not purport to the indexical, digital media offers images that convey a greater openness or sense of possibility. A signal implication of this is that the racial imagery or meanings of digital media may be defined as part of a still-unfolding process, one that is part of a history that is transforming. Digital cinema includes a concrete link to its referent—in this context, the Black body. Digital modes allow a less “fixed” rendering of Blackness in the wider (white) understanding of race than we have historically seen or that a range of Hollywood works evince.
Peter Lurie is Associate Professor of English and Film Studies at the University of Richmond, USA. He was a Fellow at the National Humanities Center in 2009-10 and, in 2015, the Fulbright Senior Scholar in American Studies at the University of Warsaw, Poland. His books include American Obscurantism: History and the Visual in U.S. Literature and Film (2018); Faulkner and Film: Faulkner and Yoknapatawpha 2010, ed. with Ann J. Abadie (2017); and Vision’s Immanence: Faulkner, Film, and the Popular Imagination (2004).
