Black Feelings

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1960s
A01=Lisa M. Corrigan
activism
aesthetic
affect
amiri baraka
arts
Author_Lisa M. Corrigan
back woman
beloved community
Black Arts Movement
black man
Black Power
Category=CBP
Category=JBFA
Category=JBSL
civil rights
contempt
culture
emotion
eq_bestseller
eq_dictionaries-language-reference
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
expression
gender
history
Huey Newton
Identity
John Kennedy
Jr.
liberation
literature
Malcolm X
Martin Luther King
masculinity
movement
Negritude
negro digest
Obama
panthers
power
pride
protest
rage
revolutionary suicide
rhetoric
selfhood
shame
social movements
violence

Product details

  • ISBN 9781496827951
  • Weight: 333g
  • Dimensions: 152 x 228mm
  • Publication Date: 28 Feb 2020
  • Publisher: University Press of Mississippi
  • Publication City/Country: US
  • Product Form: Paperback
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In the 1969 issue of Negro Digest, a young Black Arts Movement poet then-named Ameer (Amiri) Baraka published "We Are Our Feeling: The Black Aesthetic." Baraka's emphasis on the importance of feelings in black selfhood expressed a touchstone for how the black liberation movement grappled with emotions in response to the politics and racial violence of the era.

In her latest book, award-winning author Lisa M. Corrigan suggests that Black Power provided a significant repository for negative feelings, largely black pessimism, to resist the constant physical violence against black activists and the psychological strain of political disappointment. Corrigan asserts the emergence of Black Power as a discourse of black emotional invention in opposition to Kennedy-era white hope. As integration became the prevailing discourse of racial liberalism shaping mid-century discursive structures, so too, did racial feelings mold the biopolitical order of postmodern life in America.

By examining the discourses produced by Martin Luther King, Malcolm X, Stokely Carmichael, Huey Newton, Eldridge Cleaver, and other Black Power icons who were marshaling black feelings in the service of black political action, Corrigan traces how black liberation activists mobilized new emotional repertoires.

Lisa M. Corrigan is associate professor of communication, director of the gender studies program, and affiliate faculty in African and African American studies and in Latin American and Latino studies at the University of Arkansas. She is author of the award-winning Prison Power: How Prison Influenced the Movement for Black Liberation, published by University Press of Mississippi.

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