Black Female Body in American Literature and Art

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A01=Caroline Brown
African American studies
Art
Artist's Model
Aunt Jemima
Author_Caroline Brown
Black
Black Female Body
black feminist theory
Black Hunger
Black Musical Tradition
BLACK POSTMODERN
Black Women
Body
Category=AB
Category=AGH
Category=DSB
Category=DSBH
Category=GTM
Category=JBSF
Complicated Anger
Delta Autumn
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Faulkner's Text
Faulkner’s Text
Female
French Collection
Gender
Golden Gray
Jeff Erson
Kara Walker
Linden Hills
Literature
Mama
Mammy Figure
Matisse's Chapel
performative identity in literature and art
Picasso's Studio
postmodern aesthetics
racial gaze theory
Research
Ring Shout
ritual mourning practices
Rst Centuries
Strategic Postmodernism
Tulsa Race Riot
visual culture analysis
White Law
Young Men

Product details

  • ISBN 9780415895507
  • Weight: 730g
  • Dimensions: 152 x 229mm
  • Publication Date: 21 Dec 2011
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book examines how African-American writers and visual artists interweave icon and inscription in order to re-present the black female body, traditionally rendered alien and inarticulate within Western discursive and visual systems. Brown considers how the writings of Toni Morrison, Gayl Jones, Paule Marshall, Edwidge Danticat, Jamaica Kincaid, Andrea Lee, Gloria Naylor, and Martha Southgate are bound to such contemporary, postmodern visual artists as Lorna Simpson, Carrie Mae Weems, Kara Walker, Betye Saar, and Faith Ringgold. While the artists and authors rely on radically different media—photos, collage, video, and assembled objects, as opposed to words and rhythm—both sets of intellectual activists insist on the primacy of the black aesthetic. Both assert artistic agency and cultural continuity in the face of the oppression, social transformation, and cultural multiplicity of the late twentieth and early twenty-first centuries. This book examines how African-American performative practices mediate the tension between the ostensibly de-racialized body politic and the hyper-racialized black, female body, reimagining the cultural and political ground that guides various articulations of American national belonging. Brown shows how and why black women writers and artists matter as agents of change, how and why the form and content of their works must be recognized and reconsidered in the increasingly frenzied arena of cultural production and political debate.

Caroline Brown is an assistant professor in the English department at the University of Montreal. She specializes in African-American and diasporic literature, 20th century U.S. literature, and women’s studies. Her articles have appeared in African American Review, Obsidian III, NWSA Journal, and Comparative Studies of South Asia, Africa, and the Middle East.

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