Black Feminist Funk

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A01=Reiland Rabaka
African American studies
African American women musicians
American music and politics
Author_Reiland Rabaka
Black popular music studies
Black women's studies
Category=AVA
Category=AVLP
Category=JBCC1
Category=JBSF1
Category=JBSL
Category=JHB
Category=NH
Critical race studies
cultural politics of music
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_new_release
eq_nobargain
eq_non-fiction
eq_society-politics
feminist music criticism
Funk music
gender and musicology
Gender and sexuality in popular music
intersectionality in popular music
Race and ethnicity in popular music
sexuality and race studies
women in funk history research

Product details

  • ISBN 9781041106814
  • Weight: 380g
  • Dimensions: 156 x 234mm
  • Publication Date: 21 Apr 2026
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Reiland Rabaka provides an alternative history of funk since the mid-1960s, which uncovers the epoch that funk women influenced and were influenced by while wrestling with issues revolving around race, gender, sexuality, and class simultaneously in the American music industry and in American society.

Rabaka explores the long line of artistically adventurous African American women whose music made groundbreaking contributions to funk, but whose subtle forms of alternative feminism and intoxicating eroticism led to their marginalization in both historical and contemporary discussions of the musical genre. Their gender identities and intense sexual expressions fly in the face of long-standing narratives about funk, which almost invariably focus on male figures. The book focuses primarily on the most acclaimed female funk group and artists of the classic era: Labelle, Chaka Khan, and Betty Davis, who created an uncompromising, anti-commercial, unclassifiable form of ultra-erotic funk rock that directly challenged patriarchy, the politics of respectability, and conservative conceptions of Black women’s sexuality.

The book will be of significant interest for those interested in Race and Ethnicity in Popular Music, Gender and Sexuality in Popular Music, the Cultural Study of Popular Music, Black Studies, Women’s Studies, Gender Studies, and Music and Politics.

Reiland Rabaka is Professor of African, African American, and Caribbean Studies in the Department of Ethnic Studies and the Founder and Director of the Center for African & African American Studies at the University of Colorado Boulder.

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