Black Literature and Literary Theory

Regular price €186.00
A01=Henry Louis Gates
African
African diaspora literary criticism
Afro-American criticism
Afro-American Literary Tradition
Afro-American Literature
Afro-American Trickster Tale
Animal Kingdom
Anthony Appiah
Author_Henry Louis Gates
Barbara E. Bowen
Barbara Johnson
Black
Black Man's Burden
Black Man’s Burden
Black Text
Category=DSA
Category=JBSL
Criticism
deconstruction analysis
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Free Indirect Discourse
Henry Louis Gates
Heroic Slave
History
James A. Snead
Jay Edwards
Jes Grew
Jr
Kimberly W. Benston
Le Totem
Literature
Macon Dead
Madison Washington
Mary Helen Washington
Morrison's Writing
Morrison’s Writing
Mumbo Jumbo
Opera Wonyosi
Part III
post-structuralist theory
Robert B. Stepto
Sea Water
Senghor's Poem
Senghor’s Poem
signifying monkey theory
Structural Facts Matter
structuralism in literature
Sunday O. Anozie
Susan Willis
Tar Baby
Tea Cake
Theory
vernacular narrative forms
Vice Versa
Wallflower Order
William Wells Brown
Wole Soyinka
Young Man

Product details

  • ISBN 9781138683785
  • Weight: 589g
  • Dimensions: 156 x 234mm
  • Publication Date: 05 Aug 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The imaginative literature of African and Afro-American authors writing in Western languages has long been seen as standing outside the Western literary canon. In fact, however, black literature not only has a complex formal relation to that canon, but tends to revise and reflect Western rhetorical strategies even more than it echoes black vernacular literary forms.

This book, first published in 1984, is divided into two sections, thus clarifying the nature of black literary theory on the one hand, and the features of black literary practice on the other. Rather than merely applying contemporary Western theory to black literature, these critics instead challenge and redefine the theory in order to make fresh, stimulating comments not only on black criticism and literature but also on the general state of criticism today.