Black Music Matters

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A01=Ed Sarath
African American
African Music
Author_Ed Sarath
Black Lives Matter
Black Music
Category=AVLP
College
Cultural Heritage
Cultural Identity
Diaspora
Diversity
Education Reform
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
History and Criticism
Improvisation
Integral Theory
Jazz
Jazz Studies
Music and Race
Music Education
Music Studies
Musicology
Pedagogy
Race Relations
Racism
Transculturalism
Undergraduate
University

Product details

  • ISBN 9781538111703
  • Weight: 572g
  • Dimensions: 160 x 237mm
  • Publication Date: 15 Aug 2018
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Hardback
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Black Music Matters: Jazz and the Transformation of Music Studies is one of the first books to promote the reform of music studies with a centralized presence of jazz and black music to ground American musicians in a core facet of their true cultural heritage. Ed Sarath applies an emergent consciousness-based worldview called Integral Theory to music studies while drawing upon overarching conversations on diversity and race and a rich body of literature on the seminal place of black music in American culture.

Combining a visionary perspective with an activist tone, Sarath installs jazz and black music in as a foundation for a new paradigm of twenty-first-century musical training that will yield an unprecedented skill set for transcultural navigation among musicians. Sarath analyzes prevalent patterns in music studies change discourse, including an in-depth critique of multiculturalism, and proposes new curricular and organizational systems along with a new model of music inquiry called Integral Musicology. This jazz/black music paradigm further develops into a revolutionary catalyst for development of creativity and consciousness in education and society at large.

Sarath’s work engages all those who share an interest in black-white race dynamics and its musical ramifications, spirituality and consciousness, and the promotion of creativity throughout all forms of intellectual and personal expression.

Ed Sarath is professor of music at the University of Michigan, director of the U-M Program in Creativity and Consciousness Studies, and is active worldwide as a performer, composer, recording artist, and scholar. He is founder and president of the International Society for Improvised Music and is lead author of the widely read CMS Manifesto, which appears in the coauthored book Redesigning Music Studies in an Age of Change.

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