Black Opera
Regular price
€26.50
A01=Naomi Andre
Age Group_Uncategorized
Age Group_Uncategorized
Alain Locke
American Folk Opera
Angelo Gobbato
apartheid
Author_Naomi Andre
automatic-update
Black Opera in South Africa
Black Opera in the US
black opera singers
black womanhood
Blackface
blackness in opera
Carmen
Carmen Jones
Carmen: A Hip-Hopera
Category1=Non-Fiction
Category=AVC
Category=AVGC9
Category=AVLF
Category=HBTB
Category=JBSL
Category=JFSL4
Category=NHTB
Civil Rights
class
colorblind casting
COP=United States
Delivery_Delivery within 10-20 working days
diaspora
DNA controversy
downstaging black voices
Edward Ball
Engaged Musicology
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
folk
From the Diary of Sally Hemings
gender
George Gershwin
Harlem Renaissance
Harold Cruse
hyper-sexuality
interracial relationships
intersectional analysis
Isango Ensemble
James Baldwin
James Weldon Johnson
Jewishness and whiteness
Jim Crow
Karin Barber's entextualization
Language_English
Leontyne Price
Marian Anderson
Minstrelsy in South Africa
Minstrelsy in the US
nation
Neo Muyanga
opera
PA=Available
Porgy and Bess
post-apartheid
Post-colonial
Price_€20 to €50
PS=Active
race
Saartijie Baartman
Sally Hemings and Thomas Jefferson
Sandra Seaton
Sarah Nuttal's entanglement
sexuality
shadow culture in opera
softlaunch
the Global South
the Great Migration
the Mandela United Football Club
transnationalism
true-to-color casting
Truth and Reconciliation Commission
U-Carmen eKhayelitsha
William Bolcom
Product details
- ISBN 9780252083570
- Weight: 367g
- Dimensions: 152 x 229mm
- Publication Date: 04 May 2018
- Publisher: University of Illinois Press
- Publication City/Country: US
- Product Form: Paperback
- Language: English
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From classic films like Carmen Jones to contemporary works like The Diary of Sally Hemings and U-Carmen eKhayelitsa, American and South African artists and composers have used opera to reclaim black people's place in history. Naomi André draws on the experiences of performers and audiences to explore this music's resonance with today's listeners. Interacting with creators and performers, as well as with the works themselves, André reveals how black opera unearths suppressed truths. These truths provoke complex, if uncomfortable, reconsideration of racial, gender, sexual, and other oppressive ideologies. Opera, in turn, operates as a cultural and political force that employs an immense, transformative power to represent or even liberate. Viewing opera as a fertile site for critical inquiry, political activism, and social change, Black Opera lays the foundation for innovative new approaches to applied scholarship.
Naomi André is an associate professor in the departments of African and Afroamerican Studies and Women's Studies. She also is associate director in the Residential College at the University of Michigan. She is the author of Voicing Gender: Castrati, Travesti, and the Second Woman in Early-Nineteenth-Century Italian Opera and coeditor of Blackness in Opera.
