Black Queer Dance

Regular price €192.20
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A01=Mark Broomfield
Age Group_Uncategorized
Age Group_Uncategorized
Alvin Ailey
Author_Mark Broomfield
autoethnographic analysis
automatic-update
Black dance history
black queer male identity performance
Category1=Non-Fiction
Category=ATD
Category=ATQL
Category=ATQT
Category=RNFY
Category=RNPG
Complexions Contemporary Ballet
COP=Singapore
critical race theory
dance pedagogy
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
gender and sexuality studies
gender nonconformity
Heteronormative masculinity
Language_English
LGBT History
masculinity studies
performance ethnography
Price_€50 to €100
Queer History
softlaunch

Product details

  • ISBN 9780367076351
  • Weight: 520g
  • Dimensions: 156 x 234mm
  • Publication Date: 20 Aug 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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This book is a groundbreaking exploration of black masculinity and sexual passing in American contemporary dance.

Based on ethnographic fieldwork in New York City, the book features keen observations and in-depth interviews with acclaimed dancer-choreographers Desmond Richardson and Dwight Rhoden Co-Artistic Directors of Complexions Contemporary Ballet and Ronald K. Brown, Artistic Director of Evidence. Black Queer Dance examines one of the most visible crucibles for masculinity—the male dancer—and illuminates the contradictory and conditional acceptance of black gay men’s contributions to American modern dance. The book questions the politics of "coming out" and situates a new framework of "doing out" for understanding marginalized black LGBTQ people in the 20th and 21st century. Narratives of black queer male dancers’ performance of identity reveals the challenges posed navigating strategic gender performances in a purportedly post-gay and post-race American culture. Broomfield demonstrates how the experiences of black queer, gender nonconforming, and nonbinary men expose the illusions of all masculine gender performances. Drawing on masculinity studies, dance studies, critical race and performance theory, and queer studies Black Queer Dance implicates the author’s embodied history, autoethnography, memoir and poetry that shines light on how black queer men offer an expansive vision of masculinity.

This book will be a vital read for graduate and undergraduate students within dance and performance studies.

Mark Broomfield, PhD, MFA, Associate Professor of English, and the Founder and Director of Performance as Social Change at SUNY Geneseo, is an award-winning scholar and artist with publications in the areas of race, gender, sexuality, dance, and ethnography. Broomfield was born in London, England to Jamaican parents who emigrated to the Bronx, New York.

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