Black Women's Liberation Movement Music

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A01=Reiland Rabaka
African American studies
African American Women
African American Women's Lives
African American Women’s Lives
African diaspora culture
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American studies
Author_Reiland Rabaka
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Black Arts Movement
Black Feminism
Black Feminist
Black feminist music scholarship
Black popular movement studies
Black Popular Music
Black popular music studies
Black Power Movement
Black Women
Black Women's Liberationists
Black Women’s Liberationists
Category1=Non-Fiction
Category=AVA
Category=AVGP
Category=AVLP
Category=JBCC1
Category=JBSL
Category=JFCA
Category=JFSL
civil rights era music
Classic Funk
Classic Soul
COP=United Kingdom
CRC
critical race studies
cultural studies
Davis's Music
Davis’s Music
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Dinah Washington
Disco Beat
Disco Music
Disco Songs
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eq_society-politics
ethnic studies
Feminist Art Movement
feminist musicology
gender studies
gendered soundscapes
intersectionality theory
Language_English
National Black Feminist Organization
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popular culture studies
popular music studies
Price_€100 and above
protest song analysis
PS=Active
Sexual Revolution
sexuality studies
softlaunch
Soul Sisters
Vice Versa
White Feminists
White Women's Liberation Movement
White Women’s Liberation Movement
Women's Liberation Movement
women's studies
Women’s Liberation Movement
women’s studies

Product details

  • ISBN 9781032547466
  • Weight: 520g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Oct 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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Black Women’s Liberation Movement Music argues that the Black Women’s Liberation Movement of the mid-to-late 1960s and 1970s was a unique combination of Black political feminism, Black literary feminism, and Black musical feminism, among other forms of Black feminism.

This book critically explores the ways the soundtracks of the Black Women’s Liberation Movement often overlapped with those of other 1960s and 1970s social, political, and cultural movements, such as the Black Power Movement, Women’s Liberation Movement, and Sexual Revolution. The soul, funk, and disco music of the Black Women’s Liberation Movement era is simultaneously interpreted as universalist, feminist (in a general sense), and Black female-focused. This music’s incredible ability to be interpreted in so many different ways speaks to the importance and power of Black women’s music and the fact that it has multiple meanings for a multitude of people. Within the worlds of both Black Popular Movement Studies and Black Popular Music Studies there has been a long-standing tendency to almost exclusively associate Black women’s music of the mid-to-late 1960s and 1970s with the Black male-dominated Black Power Movement or the White female-dominated Women’s Liberation Movement. However, this book reveals that much of the soul, funk, and disco performed by Black women was most often the very popular music of a very unpopular and unsung movement: The Black Women’s Liberation Movement.

Black Women’s Liberation Movement Music is an invaluable resource for students, teachers, and researchers of Popular Music Studies, American Studies, African American Studies, Critical Race Studies, Gender Studies, and Sexuality Studies.

Reiland Rabaka is the Founder and Director of the Center for African & African American Studies and Professor of African, African American, and Caribbean Studies in the Department of Ethnic Studies at the University of Colorado Boulder. He is also a research fellow in the College of Human Sciences at the University of South Africa (UNISA).

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