Blackness and Transatlantic Irish Identity

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A01=Lauren Onkey
African American relations
African Americans
african-american
americans
Author_Lauren Onkey
Black Music
boyle
Category=JBSL
Celtic Ray
community
comparative race and ethnicity analysis
Crispus Attucks
cultural hybridity
diaspora studies
draft
Draft Riots
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
ethnic representation in literature
Fi Reman
guard
IRA Bombing
Irish America
Irish American Characters
Irish American Community
Irish American History
Irish American Identity
Irish Americans
Irish Identity
john
MacDonald's Narrator
MacDonald’s Narrator
Morrison's Work
Morrison’s Work
mulligan
Mulligan Guard
music
Northern Irish Civil Rights
postcolonial theory
racial identity formation
riots
South Boston
Studs Lonigan
Studs Lonigan Trilogy
Sunday Bloody Sunday
Working Class Irish Americans
York City Draft Riots
Young Man

Product details

  • ISBN 9780415801898
  • Weight: 610g
  • Dimensions: 152 x 229mm
  • Publication Date: 17 Dec 2009
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Blackness and Transatlantic Irish Identity analyzes the long history of imagined and real relationships between the Irish and African-Americans since the mid-nineteenth century in popular culture and literature. Irish writers and political activists have often claimed - and thereby created - a "black" identity to explain their experience with colonialism in Ireland and revere African-Americans as a source of spiritual and sexual vitality. Irish-Americans often resisted this identification so as to make a place for themselves in the U.S. However, their representation of an Irish-American identity pivots on a distinction between Irish-Americans and African-Americans. Lauren Onkey argues that one of the most consistent tropes in the assertion of Irish and Irish-American identity is constructed through or against African-Americans, and she maps that trope in the work of writers Roddy Doyle, James Farrell, Bernard MacLaverty, John Boyle O’Reilly, and Jimmy Breslin; playwright Ned Harrigan; political activists Bernadette Devlin and Tom Hayden; and musicians Van Morrison, U2, and Black 47.

Lauren Onkey is Vice President of Education and Public Programs at the Rock and Roll Hall of Fame and Museum in Cleveland, Ohio. Previously she taught literature and cultural studies at Ball State University in Muncie, Indiana. She has published numerous essays on Irish cultural studies and popular music.

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