Blackness, Symbolism, and American Modernism

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A01=Lori Nel Johnson
African American
African American art
African American artists
American artists
artists
arts and crafts
Author_Lori Nel Johnson
black artists
Category=ABA
Category=AGA
Category=GTM
Category=JBCC1
Category=JBSL
Category=JHB
Category=NH
civil rights
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
F. Holland Day
female artists
feminism
Henry Ossawa Tanner
intersectionality in art history
Meta Warrick Fuller
modern art
mysticism in modern art
photographer
photography
pictorialism
pictorialist photography
racism
sculpture and race
semiotic
social identity in art
social justice
symbolic representation of oppression
Symbolism

Product details

  • ISBN 9781032453019
  • Weight: 550g
  • Dimensions: 174 x 246mm
  • Publication Date: 28 Apr 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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In this book, Lori Nel Johnson examines the work of Henry Ossawa Tanner (1859-1937), Meta Warrick Fuller (1877-1968), and F. Holland Day (1864-1933) in relation to the development of modernism during the turn of the century, and the official narratives surrounding this movement.

While Tanner and Fuller have been consistently linked in the history of American Art, the Pictorialist photographer and publisher, Day has rarely if ever been discussed with these two artists, despite the fact that all three were rough contemporaries and affiliated with Symbolism. The book compares the historical and social conditions that determined the lives and careers of these three artists, which curtailed their ambitions because of the intersections of class, race, gender, or sexuality. By examining each artist’s respective proximity to language on the basis of class, race, gender, and sexuality, this study avoids categorizing artists solely on the basis of difference, and thus, offers a more fulsome and radical reading of the development of modernism in the United States.

The book will be of interest to scholars of art history, design history, history of photography, American studies, and African American studies.

Lori Nel Johnson is Associate Professor of Art History at Morgan State University.

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