Blacks and Blackness in European Art of the Long Nineteenth Century
Regular price
€192.20
14 days return policy
Shipping & Delivery
Adrienne L. Childs
African American Visual Artist
African diaspora artists Europe
Age Group_Uncategorized
Age Group_Uncategorized
Albert Alhadeff
Alison W. Chang
Anne Louis Girodet De
Anne Louis Girodet Trioson
anti-slavery imagery analysis
Artist's Models
automatic-update
B01=Adrienne L. Childs
B01=AdrienneL. Childs
B01=Susan H. Libby
Black Female Body
Blackface Minstrelsy
body
Bridgeman Art Library
Category1=Non-Fiction
Category=ACBS
Category=ACV
Category=AGA
Chat Noir
Chat Noir Cabaret
COP=United Kingdom
County Court House
Delivery_Delivery within 10-20 working days
Earnestine Jenkins
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Ethnographic Exhibitions
European blackface minstrelsy
female
fin-de-siA?cle photography race
Galley Slaves
Girodet
James Smalls
Jean Baptiste Carpeaux
Julien Joseph Virey
Language_English
Le Courrier
Moorish Bath
Munch Museum
Nineteenth Century European Art
nineteenth-century visual culture
orientalist art women
PA=Available
Paul H.D. Kaplan
Photo-Club De Paris
Pictorialist Movement
Price_€100 and above
PS=Active
racial representation art
Richard III
Robert Demachy
softlaunch
Susan H. Libby
Wendy A. Grossman
Yinka Shonibare
Young Man
Product details
- ISBN 9781409422006
- Weight: 824g
- Dimensions: 174 x 246mm
- Publication Date: 05 Dec 2014
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
- Language: English
Secure
checkout
Fast Shipping
Easy returns
Compelling and troubling, colorful and dark, black figures served as the quintessential image of difference in nineteenth-century European art; the essays in this volume further the investigation of constructions of blackness during this period. This collection marks a phase in the scholarship on images of blacks that moves beyond undifferentiated binaries like ’negative’ and ’positive’ that fail to reveal complexities, contradictions, and ambiguities. Essays that cover the late eighteenth through the early twentieth century explore the visuality of blackness in anti-slavery imagery, black women in Orientalist art, race and beauty in fin-de-siècle photography, the French brand of blackface minstrelsy, and a set of little-known images of an African model by Edvard Munch. In spite of the difficulty of resurrecting black lives in nineteenth-century Europe, one essay chronicles the rare instance of an American artist of color in mid-nineteenth-century Europe. With analyses of works ranging from Géricault's Raft of the Medusa, to portraits of the American actor Ira Aldridge, this volume provides new interpretations of nineteenth-century representations of blacks.
Adrienne L. Childs, PhD is an independent scholar and curator. She is an associate of the W.E.B. Du Bois Research Institute at the Hutchins Center for African and African American Research at Harvard University. Her interests are in the relationship between race and representation in European and American art. Susan H. Libby, PhD is professor of art history at Rollins College in Winter Park, Florida. Her research interests are the visual and material culture of French Caribbean slavery.
