Blackstar Rising and the Purple Reign

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1970s music
afro-futurism
alien
Andy Warhol
Around the World in a Day
automortography
b-side
BET Awards
Black feminisms
black social dreaming
Blackness
Blackstar
blues mourning
Book of Revelation
Cab Calloway
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Chicano
Christopher Street
costume design
Critical karaoke
David Bowie
diaspora
disidentification
distortion
Donny McCaslin
electric guitar
electro-funk
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Erotic City
erotic life
experimentalism
falsetto
First Avenue
gay liberation
Gay Liberation Front Manifesto
gender
gender ambiguity
George Clinton and P-Funk
glam rock
Hortense Spillers
Hurrah
intersectionality
James Brown
Johnny America
Latinx
Lazarus
Little Richard
Los Angeles
Marie-France
Mexico
Mexico City
Mick Jagger
Miles Davis
Minneapolis
Minneapolis sound
Modern Love
mourning
MTV
musical collaboration
nationalism
neoliberalism
New Wave
Nile Rodgers
Oakland Musical Families
Orientalism
Philadelphia Soul
Philippines
pop music
Prince
Purple Rain
Purple Rain film
queer listening
queer theory
queerness
refugee life
resistance
Rock and Roll Hall of Fame
rock concerts
rock n' roll
Rolling Stones
Rosie Gaines
ruffle shirt
Samuel Delany
saxophone
secular music
sexuality
Sheila E.
Sign o' the Times
Sinead O'Connor
Sly and the Family Stone
sound studies
spiritual geographies
SqueezeBox
Starman
Synthpop
The Beatles
The Depot
The Next Day
Tijuana
torch song
Uncle Sam's
Under Pressure
Under the Cherry Moon
utopia
utopian
Young Americans
Ziggy Stardust

Product details

  • ISBN 9781478033301
  • Weight: 445g
  • Dimensions: 152 x 229mm
  • Publication Date: 14 Apr 2026
  • Publisher: Duke University Press
  • Publication City/Country: US
  • Product Form: Paperback
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Blackstar Rising and the Purple Reign is the first critical anthology dedicated to exploring the legacies of two pop music icons: David Bowie and Prince. Daphne A. Brooks brings together an extraordinary array of writers, artists and scholars including Greg Tate, Jack Halberstam, Kara Keeling, Eric Lott, and Ann Powers to offer fresh insight into how Bowie and Prince each fundamentally changed pop culture as two musicians who emerged at the intersections of modern movements surrounding race, gender, sexuality, and art. Featured alongside these pieces are interviews with trusted collaborators of Bowie and Prince such as D.A. Pennebaker, Sheila E., and Marie France, giving vital insider context to the impact both artists had on pop culture and the complexities of their repertoires, politics, and private lives. This work is essential reading for any fan of two of the most formidable and eminent figures in pop culture history.

Contributors: Christine Bacareza Balance, Emma Balázs, Victoria Broackes, Daphne A. Brooks, Daphne Carr, Andreana Clay, Ashon Crawley, Jonathan Flatley, Nicole R. Fleetwood, Lynell George, Farah Jasmine Griffin, Michelle Habell-Pallán, Jack Halberstam, Matthew Frye Jacobson, Kara Keeling, Jason King, Josh Kun, Kathryn Lofton, Emily Lordi, Eric Lott, Maureen Mahon, Greil Marcus, Geoffrey Marsh, Michaelangelo Matos, Tiffany Naiman, Tavia Nyong'o, Ann Powers, Sonnet Retman, Morgan Rhodes, Francesca T. Royster, Gustavus Stadler, Jacqueline Stewart, Greg Tate, Karen Tongson, Van My Truong, Alexandra T. Vazquez, Michael E. Veal, Shane Vogel, Gayle Wald, Oliver Wang, Alexander G. Weheliye, Richard Yarborough, Kristen Zschomler
Daphne A. Brooks is William R. Kenan, Jr. Professor of Black Studies, American Studies, Women’s, Gender, and Sexuality Studies, and Music at Yale University. She is the author of Liner Notes for the Revolution and Jeff Buckley’s Grace, as well as Bodies in Dissent, published by Duke University Press.