Blade Runner

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artificial intelligence ethics
Berys Gaut
Blade Runner
Bradbury Building
C. D. C. Reeve
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Cinematic Artworks
cinematic ethics
Circular Mirror
Colin Allen
David Davies
Deckard's Apartment
Deckard’s Apartment
Ellipsoid Outline
Emotional Checking
Empathetic Emotions
Empathy Test
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eq_nobargain
eq_non-fiction
Ethyl Methane Sulfonate
Evaluative Humanity
film philosophy
High Contrast Lighting
Historical Self-conception
human identity theory
Leon's Photograph
Leon’s Photograph
memory and consciousness
moral psychology cinema
Motion Picture Camera
Nexus 6s
Ominous Mood
Origami Unicorn
Peter Atterton
philosophical analysis of science fiction
Scott's Film
Scott's Film Blade Runner
Scott’s Film
Scott’s Film Blade Runner
Sequinned Dress
Stephen Mulhall
Theatrical Cut
Tyrell Corporation
Tyrell's Niece
Tyrell’s Niece
Voight Kampff Test

Product details

  • ISBN 9780415485852
  • Weight: 240g
  • Dimensions: 138 x 216mm
  • Publication Date: 14 Apr 2015
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Ridley Scott’s Blade Runner is widely regarded as a "masterpiece of modern cinema" and is regularly ranked as one of the great films of all time. Set in a dystopian future where the line between human beings and ‘replicants’ is blurred, the film raises a host of philosophical questions about what it is to be human, the possibility of moral agency and freedom in ‘created’ life forms, and the capacity of cinema to make a genuine contribution to our engagement with these kinds of questions.

This volume of specially commissioned chapters systematically explores and addresses these issues from a philosophical point of view. Beginning with a helpful introduction, the seven chapters examine the following questions:

    • How is the theme of death explored in Blade Runner and with what implications for our understanding of the human condition?
    • What can we learn about the relationship between emotion and reason from the depiction of the ‘replicants’ in Blade Runner?
    • How are memory, empathy, and moral agency related in Blade Runner?
    • How does the style and ‘mood’ of Blade Runner bear upon its thematic and philosophical significance?
    • Is Blade Runner a meditation on the nature of film itself?

      Including a brief biography of the director and a detailed list of references to other writings on the film, Blade Runner is essential reading for students – indeed anyone - interested in philosophy and film studies.

      Contributors: Colin Allen, Peter Atterton, Amy Coplan, David Davies, Berys Gaut, Stephen Mulhall, C. D. C. Reeve.

      Amy Coplan is Associate Professor and Chair of Philosophy at California State University, Fullerton, USA. She is the co-editor, with Peter Goldie, of Empathy: Philosophical and Psychological Perspectives (2011). David Davies is Professor and Chair of Philosophy at McGill University, Canada. He is the author of Art as Performance (2004), Aesthetics and Literature (2007), and Philosophy of the Performing Arts (2011), and editor of The Thin Red Line (Routledge, 2008).