A01=Bruce Snider
Author_Bruce Snider
Bible
birdsong
brotherhood
Category=DC
Category=DCC
Category=DCF
country music
Dolly Parton
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
family dynamics
fishing
Hank Williams
Indiana
Johnny Cash
k.d. lang
masculinity
Midwest
opioid addition
poetry
queerness
rural
Willie Nelson
Product details
- ISBN 9780299355548
- Weight: 172g
- Dimensions: 152 x 229mm
- Publication Date: 11 Nov 2025
- Publisher: University of Wisconsin Press
- Publication City/Country: US
- Product Form: Paperback
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An unflinching tale of selfishness and sacrifice, guilt and resentment, hope and despair, Bruce Snider’s fourth collection tells the story of two brothers torn apart by opioid addiction. “He needed help,” writes Snider. “I imagined the chemicals in his brain like the chemicals in mine. // I imagined our DNA, mirrors facing one another—an infinite us.”
These sublime poems paint a singular portrait of rural working-class America populated by shuttered tool factories and country gay bars, hidden fishing holes and Dolly Parton drag queens. Drawing on music and myth, science and history, Snider interrogates the bonds of family, exploring themes of masculinity, devotion, sexuality, and the biology of addiction. Yet for all its competing tensions, Blood Harmony leaves us with an enduring portrait of brotherhood defined as much by tenderness as by pain.
In considering the parable of the prodigal son, Snider acutely notes, “without the older brother’s / flawed heart, // there is no story.” And finally, in a later poem, he reminds us that “Cain must be judged / because he did what’s forbidden— // he survived.”
These sublime poems paint a singular portrait of rural working-class America populated by shuttered tool factories and country gay bars, hidden fishing holes and Dolly Parton drag queens. Drawing on music and myth, science and history, Snider interrogates the bonds of family, exploring themes of masculinity, devotion, sexuality, and the biology of addiction. Yet for all its competing tensions, Blood Harmony leaves us with an enduring portrait of brotherhood defined as much by tenderness as by pain.
In considering the parable of the prodigal son, Snider acutely notes, “without the older brother’s / flawed heart, // there is no story.” And finally, in a later poem, he reminds us that “Cain must be judged / because he did what’s forbidden— // he survived.”
Bruce Snider’s previous poetry collections include Fruit; Paradise, Indiana; and The Year We Studied Women, winner of the Felix Pollak Prize in Poetry. He is a coeditor of The Poem’s Country: Place & Poetic Practice. Snider’s poems and essays have appeared in the American Poetry Review, Best American Poetry, Harvard Review, Kenyon Review, New England Review, Poetry, and Threepenny Review, among others. His awards include an NEA fellowship, a Wallace Stegner Fellowship, a James A. Michener Fellowship, and the Jenny McKean Writer-in-Washington award. He lives in Baltimore and teaches in the Writing Seminars at Johns Hopkins University.
