Blue Poles

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1950
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A01=Thomas McIlroy
action painting
American abstract expression
art and politics
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art history
Art of This Century gallery
arts in Australia
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Author_Thomas McIlroy
Autumn Rhythm (Number 30)
avant-garde art
Ben Heller
BH Friedman
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Birth
Blue Poles debate
Category=AFC
Category=AGA
Category=AGB
Category=DNBF
Cathedral
Clement Greenberg
Convergence
David Alfaro Siqueiros
drip painting
dripping paint onto the canvas from above
Edmund Capon
enamel and aluminium paint art
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Figures in Landscape
Frances English
Franz Kline
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Hans Hofmann
Harold Rosenberg
It's time speech
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John McDonald
Lavender Mist
Male and Female
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Number 11
oil
One: Number 31
painting masterpieces
painting on the studio floor
Pollock's Mural
Pollock's revolutionary painting technique
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Pollock-Krasner House
Pollocks Long Island studio
Public Works of Art Project
Robert Hughes
Robert Motherwell
She-Wolf
Sidney Janis Gallery
Spring Salon for Young Artists 1943
Stenographic Figure
Steven Naifeh and Gregory White Smith
Summertime: Number 9A
Tate Modern
Terry Ingram
the Irascible Eighteen
The Key
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Thomas Hart Benton
Totem Lesson 2
Untitled CR1048
White Cockatoo
Whitney Museum
Willem de Kooning
WPA Artist

Product details

  • ISBN 9780733651960
  • Weight: 380g
  • Dimensions: 154 x 230mm
  • Publication Date: 26 Feb 2025
  • Publisher: Hachette Australia
  • Publication City/Country: AU
  • Product Form: Paperback
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SHORTLISTED FOR THE AGE BOOK OF THE YEAR AWARD 2026

The captivating story behind the iconic Blue Poles - the painter, the process, the patronage, the politics and the national scandal.


In 1973, Blue Poles, the iconic painting by America's great abstract expressionist Jackson Pollock, was acquired by the Australian government for A$1.4 million. This record-setting price for an artwork sparked a media sensation and controversy both in Australia and the United States.

Blue Poles: Jackson Pollock, Gough Whitlam and the painting that changed a nation details how Jackson Pollock rose to fame, the negotiations that led to the artwork's move to the National Gallery of Australia, and the many successes and turbulent turns in between.

This story covers Pollock's entrée into an art circle which included renowned patron Peggy Guggenheim, as well as his relationship with artist Lee Krasner, and the larger-than-life accounts that surrounded his artistic practice - including questions around the creation of Blue Poles.

It was Gough Whitlam's commitment to the arts and cultural capital that would see the painting move to another continent, where the media feasted on stories of its cost and brows were raised over its merit. The value of Blue Poles to the Australian art and museum landscape was yet to be foreseen.

Journalist Tom McIlroy tells a compelling account of one of Australia's most prized paintings, which stirred up many storms from the time of its creation to its placement in the NGA.

'Superb . . . McIlroy is a gifted writer who finds clear lines of storytelling as he unpacks an intricate story . . . Australia has needed this book for a long time' THE AGE

'A terrific book, a must-read for the year' READINGS

'An engaging read and a fine testament to a moment in time that is scandalous and triumphant in equal measure' THE AUSTRALIAN

'Well-crafted and thoroughly absorbing' INSIDE STORY

Tom McIlroy is a political correspondent with the Australian Financial Review, reporting from the press gallery at Parliament House. Born and raised in Melbourne, he has reported for a range of newspapers in Australia and overseas, including The Age, Sydney Morning Herald, Ballarat Courier, Canberra Times and Houston Chronicle.

A graduate of Melbourne University and RMIT University, McIlroy has been featured in a range of publications including Meanjin and Art Monthly Australasia. Based in Canberra, he writes on national politics, the arts, tax and the economy. Blue Poles is his first book.

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