Bluegrass Breakdown

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A01=Robert Cantwell
African American music and bluegrass
Author_Robert Cantwell
banjo and bluegrass
banjo style
Bill Monroe
Bill Monroe and bluegrass
blackface
bluegrass and jazz
bluegrass artists
bluegrass history
bluegrass instruments
bluegrass music definition
bluegrass music history bluegrass social history
bluegrass musical style
bluegrass musicians
bluegrass origins
bluegrass pioneers
bluegrass singing
bluegrass social background
bluegrass was created by
Category=AVLP
classic bluegrass
Earl Scruggs
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Grand Ole Opry and bluegrass
influences on bluegrass music
mandolin and bluegrass
minstrel shows and bluegrass
minstrelsy and bluegrass
music of Appalachia
music of Ireland
music of Scotland
old-time music
origins of old-time music
origins of the banjo
roots music
string bands
traditional bluegrass
women in bluegrass

Product details

  • ISBN 9780252071171
  • Weight: 513g
  • Dimensions: 152 x 229mm
  • Publication Date: 22 Oct 2002
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Paperback
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Bluegrass Breakdown is an expansive foray into the makings of bluegrass. More than any other book of its kind, it gets to the roots of a uniquely American music that is deeply linked to working-class ideals and romanticism. 

Robert Cantwell engages the historical background, commercial origins, internal workings, and cultural and social significance of popular, old-time music to provide a unique musicological and sociological perspective. Well-versed in the history of the tradition and equally as interested in those who listen to the music as in those who create it, Cantwell links bluegrass to its hillbilly roots in Appalachia and shows how the music was transformed by African American folk traditions, the influence of jazz, ragtime, blues, and country music, and the growth of radio and recording technology.

Robert Cantwell teaches at the University of North Carolina at Chapel Hill. His books include Ethnomimesis: Folklife and the Representation of Culture and When We Were Good: The Folk Revival.

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