Bob Dylan and the British Sixties

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1960s British counterculture
A01=Tudor Jones
Acoustic Folk Music
Al Kooper
Author_Tudor Jones
Basement Tapes
BBC Tv
Big Pink
Blonde on Blonde
Bringing it all Back Home
British Beat Group
British Popular Music
Category=AV
Category=AVA
Category=AVLP
Category=JP
Category=N
Category=NHD
Charlie Watts
Contemporary Society
Counterculture
Country Music
cultural politics Britain
Dylan influence on UK musicians
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eq_history
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eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
Folk Music
Folk Music Enthusiasts
Folk Music Movement
folk rock evolution
Freewheelin'
Gerry Goffin
Greek Street
Highway 61 Revisited
John Wesley Harding
Levon Helm
London's Royal Albert Hall
London’s Royal Albert Hall
Martin Carthy
National Front NF
Patriot Game
Pop Stars
popular music history
protest song analysis
Sir Oswald Mosley
Subterranean Homesick Blues
Trade Hall
transatlantic music exchange
UK Chart
UK Part
Wight Festival
Young Man

Product details

  • ISBN 9781138340404
  • Weight: 430g
  • Dimensions: 156 x 234mm
  • Publication Date: 11 Dec 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Britain played a key role in Bob Dylan's career in the 1960s. He visited Britain on several occasions and performed across the country both as an acoustic folk singer and as an electric-rock musician. His tours of Britain in the mid-1960s feature heavily in documentary films such as D.A. Pennebaker's Don't Look Back and Martin Scorsese's No Direction Home and the concerts contain some of his most acclaimed ever live performances. Dylan influenced British rock musicians such as The Beatles, The Animals, and many others; they, in turn, influenced him.

Yet this key period in Dylan's artistic development is still under-represented in the extensive literature on Dylan. Tudor Jones rectifies that glaring gap with this deeply researched, yet highly readable, account of Dylan and the British Sixties. He explores the profound impact of Dylan on British popular musicians as well as his intense, and at times fraught, relationship with his UK fan base. He also provides much interesting historical context – cultural, social, and political – to give the reader a far greater understanding of a defining period of Dylan's hugely varied career. This is essential reading for all Dylan fans, as well as for readers interested in the tumultuous social and cultural history of the 1960s.

Dr Tudor Jones is a political historian and is Hon. Research Fellow in History of Political Thought at Coventry University, UK. He is the author of The Revival of British Liberalism: From Grimond to Clegg (2011), Modern Political Thinkers and Ideas (Routledge, 2002) and Remaking the Labour Party: From Gaitskell to Blair (Routledge, 1996). He is also a lifelong admirer of Bob Dylan.

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