Bob Dylan on Film

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A01=Jonathan Hodgers
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auteur theory
Author_Jonathan Hodgers
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Bob Dylan
Category1=Non-Fiction
Category=AB
Category=ATFA
Category=AVGC6
Category=AVL
Category=H
Category=JBCT
Category=JFD
COP=United Kingdom
countercultural media research
Delivery_Pre-order
Dont Look Back
Dylan cinematic experimentation
Eat the Document
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
experimental cinema techniques
filmography
Language_English
music documentary analysis
narrative identity in film
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Price_€100 and above
PS=Forthcoming
rock music history
softlaunch
visual culture studies

Product details

  • ISBN 9781138586321
  • Weight: 630g
  • Dimensions: 156 x 234mm
  • Publication Date: 03 May 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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In May 1967, during a discussion about his yet-to-be-released film Eat the Document, Bob Dylan cryptically remarked, ‘The film is finished. It’s different.’ It would not be the last time he could make this claim. Beyond his musical prowess, Dylan’s career encompasses a lesser-explored facet – that of a filmmaker creating works that defy convention. This book delves into these cinematic forays, unravelling the intriguing interplay of Dylan’s presence both behind and in front of the camera.

Dylan’s cinematic experiments, ranging from the ground-breaking Dont Look Back (1967) to the enigmatic Masked and Anonymous (2003), stand as unique and thought-provoking additions to his artistic legacy. Unveiling an experimental and inquisitive sensibility, these films draw inspiration not only from cinematic predecessors but also from Dylan’s songcraft. Often residing in the periphery of Dylan studies, a closer examination of his cinematic oeuvre reveals an underrated auteur who fearlessly transcends the boundaries of the page, stage, and screen.

Jonathan Hodgers received his PhD in music from Trinity College Dublin, where he currently teaches in the Music Department. His core areas of interest are popular music history, audio-visual aesthetics, and the pop song in cinema. He is a member of the editorial board for the journal The Dylan Review and has published articles and given talks on Bob Dylan.

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